Showing posts with label narrative nonfiction. Show all posts

25.03.04

>> STUCK IN A DATA CENTER

in high school the internet felt boundless. it was free in a way that my body didn't feel free. i had this running joke where i'd tell my friends i don't exist in a clumsy attempt to express the casual dissociation i was dealing with– but the internet was this place where i felt real, where i was finding ways to feel like me. it was something i looked forward to every day: i'd come home from school and i'd sit at my desk and the moment the screen loaded, my body would dissolve and i would beam my conscious mind into the internet where i could exist untethered. my senses would hone into the screen, plugged in by convenience store earbuds, eyes fixed on the 13 inch window into a malleable world that could respond to my imagination. it satiated something i didn't know i was hungry for. i was free of my limbs, the concern directed at my body, the conversations happening in doctor's rooms, the muffled frustration i felt towards the things my physical self failed to express on behalf of the real me. the real me, the one that could simply exist uninterrupted on the internet. i told myself my soul lived there, not here. i could finally speak.

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childhood crumbles in steps

I was fourteen years old when I forgetfully took the bus home from school. I had made a promise to my mother that morning – that she'd pick me up right after my last class for a doctor's appointment, something that would later turn more frequent and more expensive. But I'd forgotten, and class had ended. The bell rang; I packed my bag hastily and ran to the bus, already teeming with kids; I clambered over knees and cross-aisle punches, clutching my backpack close to my chest as I made my way to the seat, excited to see my friends. The heat of late spring and teenage sweat hung over the air and I cut through it towards Adithya, Tara and Annie, who were already there, midway through a fervent discussion about a recent game release. They nodded to me. Annie moved over to make room. A light breeze entered through one of the few opened windows. Adithya blurted an outrageous 'would you rather' question that would occupy the rest of the bus ride home. I was happy. I loved Tuesdays, the one day a week I could take the early bus home– no after school clubs, just two o'clock's delightful circus, the moving theater of chaos and pure, unadulterated joy.

But this is fake. I do not recall any of this. My memory of this event, actually, is strangely omniscient. In fact, very little of the bus ride – the bit that I was actually there for – remains with me; instead, I recall a mythical episode, a story not mine. I have no certainty of what she looked like, what she said, what expression she wore on her face. But when someone says, "hey, remember that day your mom ran into the school?" – my mind plays a video, however impossible, that is crystal clear. I do. Yes, in fact I do remember when she ran into the school. The curtains of my mind unfold: she is La Pieta without child. She is bursting through the door, sobbing, while I was mid-argument on the school bus. Yes, I do remember. I see it: her face is red, her hair disheveled, and she grabs the first student she sees. In her dizzying paranoia, the world is falling, her child is dying, suffering in her absence. She cries out, barely distinguishable, "where is my daughter," grabbing shoulder after shoulder, a desperate wrest for information, shrinking with each croaking cry, until eventually a friend– someone I'm not even that close to, who later tells me what happened with a strange expression on her face – admits yes, watchfully, she took the bus though, didn't she?– but the answer is not convincing coming from another child, my mother has already known the answer the moment she entered the building– her daughter is dead. Me, on the bus, laughing at a provocative question, two stops away from our townhome complex, where our parking spot is empty– it is only a matter of time until she finds me at the back of a bathroom, disintegrating, she must see her daughter before the warmth runs out, must hold her body, draped over her mourning arms. She runs, and she runs. She trips, and her joints have become fragile, and she crumbles onto a school aide, who wrestles with her own prejudiced frustration to help a strange lady in need, extracts the necessary information – name, year – makes a few radio messages and a few static-decorated exchanges later, my mother is consoled, reconstructed with the information that I have been dropped off, was accounted for, and in fact I am unlocking our townhome door as this information is being transferred– the door clicks open, I take a step, I call cheerily into an empty home, "I'm home!" and a cold silence befalls me. The lights are all out. Through an open window I hear the elementary school kids squealing in the playground behind our unit. 

"Mom?" I call. My mother, miles away in the school parking lot, sobs alone in the driver's seat – of today, and more. 

The door remains ajar as I stand confused at the absence that rejects my excitement, until an eclipsing reality stiffens into my shoulders – and in my shock of realization I drop my bag at this precipice, frozen in the doorway only just beginning.

-- please forget me when i leave --

the lights of this hotel room are dim. i feel surveilled under the strange fixtures on the ceiling, which likely serve a functional and necessary purpose, but to me, look like eyes. i am being watched. i am watching youtube, it is my last day in australia, i had promised myself not to go on social media during my vacation, yet here i am. in a strange hotel. watching a video, because watching other people's lives through a screen has become a habit that feels like home.

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you come to me in waves

 You come to me in waves:

The first is silence. You’re invisible. For a mistaken moment, I believe you are no longer there. I move on with my life and marvel at how smoothly life continues in your absence. The calmness is unexpected; it preoccupies me, seeding a question: perhaps you were not that big of a presence. Perhaps this is a sign. Perhaps this silence was sent to deliver a message, that you were nothing, after all.

The second is the silence, held longer, turned inwards, flipped inside-out, and turned outwards. It is loud. I realize, suddenly, that for the silence to be visible I must have looked at it. The silence was not silence all along. It was an excuse to think about you while feeling above the waves, when I was not. I was under the surface, looking at the sky refracted through the movement of the tides just above me. Suddenly the silence hurts, and I dare myself to look at photos of you. It takes me less than a minute to succumb: it is two in the morning and I have looked at every photo of your beaming smile, your nonchalance blurred in a momentary capture, your silhouette against the adventures we took. The silence is gone.

The third is melancholy. I wallow in the mistake of swimming in our past, because now the ocean is blue, so incredibly blue. Not a day goes by where I wonder what you are doing, suddenly afraid that the silence I first felt is the silence you are feeling now, of me, but more truly. Have you moved on? I want to know, but I cannot, and so I continue to wade in the viscosity of my sorrow. I am addicted to photos of you, though at the surface I tell myself that I am doing it because I have moved on. That is a lie. I have not.

The fourth is an unsettling peace. Eventually, the sorrow wears thin, and the ocean is blue but transparently so; I can look up at the sky, break the surface, breathe the air. Sometimes I am back underneath, but I know how to swim upwards. It feels like silence, but I am not sure it is the same as the one I first encountered. Suddenly, I realize that the ocean is vast, that I have been wading in place, and that maybe it is time to think about swimming towards something new.