Showing posts with label prose poetry. Show all posts

25.03.04

>> STUCK IN A DATA CENTER

in high school the internet felt boundless. it was free in a way that my body didn't feel free. i had this running joke where i'd tell my friends i don't exist in a clumsy attempt to express the casual dissociation i was dealing with– but the internet was this place where i felt real, where i was finding ways to feel like me. it was something i looked forward to every day: i'd come home from school and i'd sit at my desk and the moment the screen loaded, my body would dissolve and i would beam my conscious mind into the internet where i could exist untethered. my senses would hone into the screen, plugged in by convenience store earbuds, eyes fixed on the 13 inch window into a malleable world that could respond to my imagination. it satiated something i didn't know i was hungry for. i was free of my limbs, the concern directed at my body, the conversations happening in doctor's rooms, the muffled frustration i felt towards the things my physical self failed to express on behalf of the real me. the real me, the one that could simply exist uninterrupted on the internet. i told myself my soul lived there, not here. i could finally speak.

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childhood crumbles in steps

I was fourteen years old when I forgetfully took the bus home from school. I had made a promise to my mother that morning – that she'd pick me up right after my last class for a doctor's appointment, something that would later turn more frequent and more expensive. But I'd forgotten, and class had ended. The bell rang; I packed my bag hastily and ran to the bus, already teeming with kids; I clambered over knees and cross-aisle punches, clutching my backpack close to my chest as I made my way to the seat, excited to see my friends. The heat of late spring and teenage sweat hung over the air and I cut through it towards Adithya, Tara and Annie, who were already there, midway through a fervent discussion about a recent game release. They nodded to me. Annie moved over to make room. A light breeze entered through one of the few opened windows. Adithya blurted an outrageous 'would you rather' question that would occupy the rest of the bus ride home. I was happy. I loved Tuesdays, the one day a week I could take the early bus home– no after school clubs, just two o'clock's delightful circus, the moving theater of chaos and pure, unadulterated joy.

But this is fake. I do not recall any of this. My memory of this event, actually, is strangely omniscient. In fact, very little of the bus ride – the bit that I was actually there for – remains with me; instead, I recall a mythical episode, a story not mine. I have no certainty of what she looked like, what she said, what expression she wore on her face. But when someone says, "hey, remember that day your mom ran into the school?" – my mind plays a video, however impossible, that is crystal clear. I do. Yes, in fact I do remember when she ran into the school. The curtains of my mind unfold: she is La Pieta without child. She is bursting through the door, sobbing, while I was mid-argument on the school bus. Yes, I do remember. I see it: her face is red, her hair disheveled, and she grabs the first student she sees. In her dizzying paranoia, the world is falling, her child is dying, suffering in her absence. She cries out, barely distinguishable, "where is my daughter," grabbing shoulder after shoulder, a desperate wrest for information, shrinking with each croaking cry, until eventually a friend– someone I'm not even that close to, who later tells me what happened with a strange expression on her face – admits yes, watchfully, she took the bus though, didn't she?– but the answer is not convincing coming from another child, my mother has already known the answer the moment she entered the building– her daughter is dead. Me, on the bus, laughing at a provocative question, two stops away from our townhome complex, where our parking spot is empty– it is only a matter of time until she finds me at the back of a bathroom, disintegrating, she must see her daughter before the warmth runs out, must hold her body, draped over her mourning arms. She runs, and she runs. She trips, and her joints have become fragile, and she crumbles onto a school aide, who wrestles with her own prejudiced frustration to help a strange lady in need, extracts the necessary information – name, year – makes a few radio messages and a few static-decorated exchanges later, my mother is consoled, reconstructed with the information that I have been dropped off, was accounted for, and in fact I am unlocking our townhome door as this information is being transferred– the door clicks open, I take a step, I call cheerily into an empty home, "I'm home!" and a cold silence befalls me. The lights are all out. Through an open window I hear the elementary school kids squealing in the playground behind our unit. 

"Mom?" I call. My mother, miles away in the school parking lot, sobs alone in the driver's seat – of today, and more. 

The door remains ajar as I stand confused at the absence that rejects my excitement, until an eclipsing reality stiffens into my shoulders – and in my shock of realization I drop my bag at this precipice, frozen in the doorway only just beginning.

(dis/re)membering

You are sitting in a patch of grass extending into the sea of asphalt. The sound of childhood and after-school tag rings far away in the background. Your fingers are planted into the dirt, tufts of green between your fingers: soft, like the fur of an animal. The entire lawn sways together, a single instrument wavering indecisively with the sweet wind that combs through your hair. Gleeful screeches echo in the distance, as if recalling a past that you remember as faintly as the little voices sound to you now.

A curious ant crawls up your index finger:

Hi, ____ – it's me. I didn't see you in class yesterday. Or last week. 

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"Autobiography is a defacement of the mind of which it is itself the cause." 
– Paul de Man, Autobiography as Defacement


I am editing a twenty-minute clip of my late lunch at a park in Sydney, one of many videos I took while traveling alone in Australia. It is two weeks after the events in the video. I have not eaten dinner. It is one in the morning. Tomorrow is Monday. None of these facts occur to me. There is a longing that drives me through this physical limbo into a deep investigation of many hours of footage. Clip after clip after clip. Watching, rewatching. Starving.

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you come to me in waves

 You come to me in waves:

The first is silence. You’re invisible. For a mistaken moment, I believe you are no longer there. I move on with my life and marvel at how smoothly life continues in your absence. The calmness is unexpected; it preoccupies me, seeding a question: perhaps you were not that big of a presence. Perhaps this is a sign. Perhaps this silence was sent to deliver a message, that you were nothing, after all.

The second is the silence, held longer, turned inwards, flipped inside-out, and turned outwards. It is loud. I realize, suddenly, that for the silence to be visible I must have looked at it. The silence was not silence all along. It was an excuse to think about you while feeling above the waves, when I was not. I was under the surface, looking at the sky refracted through the movement of the tides just above me. Suddenly the silence hurts, and I dare myself to look at photos of you. It takes me less than a minute to succumb: it is two in the morning and I have looked at every photo of your beaming smile, your nonchalance blurred in a momentary capture, your silhouette against the adventures we took. The silence is gone.

The third is melancholy. I wallow in the mistake of swimming in our past, because now the ocean is blue, so incredibly blue. Not a day goes by where I wonder what you are doing, suddenly afraid that the silence I first felt is the silence you are feeling now, of me, but more truly. Have you moved on? I want to know, but I cannot, and so I continue to wade in the viscosity of my sorrow. I am addicted to photos of you, though at the surface I tell myself that I am doing it because I have moved on. That is a lie. I have not.

The fourth is an unsettling peace. Eventually, the sorrow wears thin, and the ocean is blue but transparently so; I can look up at the sky, break the surface, breathe the air. Sometimes I am back underneath, but I know how to swim upwards. It feels like silence, but I am not sure it is the same as the one I first encountered. Suddenly, I realize that the ocean is vast, that I have been wading in place, and that maybe it is time to think about swimming towards something new.


borrowers.

The Whites never had to buy words.

The words were handed to them, crowned upon their lips like little stars between their teeth, words they swallowed with their toothless mouths when they were born. They trickled down their stomachs.

The Whites never bought those words, mark my words. They didn’t buy them like my parents bought ours, dirtied and washed and washed and washed again, in umpteen attempts to maybe next time make the scars disappear. Our words have no stars. Our words do not get swallowed. We bought them, second-hand and slightly too small for us, too frowned upon.

We bought our words with our blood. With the purchase we are here. Not the Whites.

Words cannot be stolen. They are not exchanged. They are bought or taken, but I cannot cover your mouth to prevent you from speaking my words. I cannot stop anyone from saying what they want. All I can say is that I know some words are mine, some yours, and some unclaimed.

I bought my words.

Words which have been bought can never be taken; every instance is a borrowed one, unless spoken by the owner. Words which do not belong to anyone are always taken. Those words are nomads. Those words stay afloat. Each speaker is its owner.

I borrow your words which you have purchased (if you have). You borrow mine. But shall I not return your words with less scars? Shall I not return them, once it leaves my mouth and the expression is complete and the concept is conceived in my listener’s head--shall I not return them like new? Why should I slash more scars into your word, your word which I borrowed? I am humble; I speak your word with care, and I minimize my damage. Like borrowed books, I do not add more dog-ears, do not rip out pages, do not write over the meaning.

Sometimes we forget that we are borrowing. We let the scars stay open, still fresh to the stings of the rain, the dirt, the glares.

Sometimes, words should not be borrowed. Sometimes a word was so expensive that there is no chance that I will return the word with no more scars than it already has, because it has been bought with scars. The currency was blood, the middleman death; some words should not be borrowed. Some words belong only to their owners because these words weigh heavy even on their own tongues.

We are exchangers of words but borrowers as well. Forget not the words which have been bought with blood. Forget not to return your borrowed ones in good condition. Remember these words were bought by someone. They are not yours to keep, not yours to mutilate, not yours to toss in light jest when the word was bought with blood.


dream (v.)

dream (v.)

  1. to be haunted
    it looks me in the eye everywhere i go. i’ve tried leaving countries and following people, throwing away instinct down the drain but the drain isn’t as far as it goes because it comes back up and i see it sitting at the other end of my bed when i wake up in the morning. its wit is deceptive; i’ve fallen in love and i know it is my own fault. it hides in the space between my shadow and the ground when i walk and i can feel its weight behind me as i drag my dark outline, twice its weight because of the amount of ideas that i have fed it.
      
  2. to be hungry
    harrowing. i can’t say i’ve attempted to relieve this sensation, this gut-itching soul-growling insatiable feeling that i cannot let leave no matter how many times i scratch my skin. i can dig to the bone but it will do nothing. there is no fight or flight in this one; it is fight or die or die trying. i’ve eaten so much of the wrong things but i feel as if i have had nothing since birth.

"love"

To let you all off from the non-fiction style writing that I exhibited in the previous post, here is a smidge of my prose poetry.




"love"


“Love,” I say carefully, juggling the syllable in my mouth, tasting each letter and flicking my tongue over the bitterness, over the sweet and the sour of the vicissitudes riding each letter, letting each curve of the thought bend shapes and create curves in my mind. I whisper it again, softly, letting the wind whistle past my tongue, through my teeth, graze my lips, letting the song of its blinding colors shoot from tongue to ear to heart, from one thought to a birthing of emotions, a sort of sweet that makes you cringe, swallow, then gasp for air because you want some more of it again. I let it rest on my heart, let it dance with my unsteady thoughts, teach steps like a patient teacher, let it peer through my tinted glasses, through the fogged mirror through which all I see is you, you, you; I say the word again not because I’m not sure, but because I want to feel those forbidden candies ache my molars and pain my heartbeats once again.

a storm

Hello everyone! So maybe you've noticed I am suddenly more active. (If posting two days in a row counts as active, that is.)
Well, I have started to feel like writing again so what's to stop me but google docs glitching (because for some reason I like writing on google docs now)?

I'll try to update with my writing every once in a while. Here is my attempt at prose poetry. Happy writing!











a storm ripped across my chest and i grabbed at it. “are you here again?” i asked, dark-eyed and weary. i felt the storm with its many legs scramble through my stomach. i shifted uncomfortably; i felt it scratch at the walls. i felt its roar.
i sighed. “are you here again?” but it did not reply
it did not reply
i sighed and i coughed but it still did not reply
it stayed silent, dormant, ready to strike probably and i sat waiting, tensing, in apprehension, my heart beating, palpitating, dare i say trembling and then it

and then it


nothing happened and i waited and i waited and i scratched at my chest but there was no reply and i tensed and i thought and i waited but still there was no reply so i took a deep breath and i held it all in and then i looked inside and it was empty so empty it was gone, everything was gone
the storm had taken everything and i looked inside the abyss of nothing, not even ribs, not even organs, not even my heart and i
i had nothing left to say because
the storm had already left so

so i had nothing left to do so i
i filled the hole with my tears.