Archive for 2013

Outliers! By Malcolm Gladwell

Wow! I realized, while scrolling through my blog, that I had left Outliers (an outstanding book) by Malcolm Gladwell unaddressed and simply noted with a supposed “midway check.” I am a little lazy at the moment to write a detailed blog-ly response to the book in my tone and my writing, but I am happy to provide you a book response I have written on GoodReads and also submitted as a Piece Of Writing to my own English teacher at school (haha).

Here it is. You can also find it here on Goodreads.

Outliers by Malcolm Gladwell is a book taking a second and closer look at success in a different way than we usually dismiss it: why do people succeed? What makes people succeed? And is it really just hard work and grit that gets you to the top? In his bestselling book, Outliers, Gladwell takes a closer look at what really matters when it comes to success, and why it matters. The lives of successful men and women, whom he calls outliers—Steve Jobs, Robert Oppenheimer, Olympic class hockey players—are all dissected in this book in a way that you will look at success again at a different angle. He tells us why Asians seem to be better at math, why your culture matters when it comes to how likely a plane will crash, and why a man with an IQ higher than Einstein’s known IQ is working on a farm out in the country without a college degree. What is the real key to success, and what governs it? Gladwell makes an attempt at cracking the code, or at least figuring out a pattern to the infinite variety of success stories.
In the past, I have read one of Gladwell’s other bestselling novels, titled Blink. It is a book about snap judgments and first impressions, another quite interesting book researching the psychology of human behavior. In comparison with Outliers, however, it seems that Outliers rises above Blink in a way that it is much more applicable to our lives.
Outliers—and I hesitate to specify on the statistics or the ‘discoveries’ uncovered in this book to save your reading experience for later—is about success. It is something we all strive for, at least to some degree, and it is something that we have always thought of as that “thing” we get when we work hard, we spend time on it, and we ‘never give up.’ There is nothing morally wrong with this idea. In fact, it is a great motto to follow throughout your life. However, what lies between this idea of “incessant hard work” and real success is that evidence, lives, and research shows that it has never been only hard work that have gotten the people in the newspapers or TV where they are today. It is a combination of luck, of—yes—hard work, of cultural background, of your parents, of your childhood, and an infinite number of variables all entwined in such a way that in reality, success is neither predictable nor moldable. It is something that you might wish for but cannot create deliberately.
Many of the points Gladwell makes in this book, such as the 10,000 hour rule (stating that to become a professional, a true ‘master’ at a certain art or profession, you must have spent at least 10,000 hours doing that art or profession), have made a pretty deep impression on me as a reader. It really opened my eyes to the mystic monstrosity of the world and the forces of nature. Though that sounds quite cliché and otherworldy, reading Outliers really gives you an idea of how uncontrollable one’s future is and how much people have put behind a success story. Whoever you think of as successful—whether you take them for granted or not—have all had a difficult and arduous journey before it lasting for years longer than you might expect. Not only this, but Gladwell proves that luck plays a significant role in success. When you are born, such as what year and what month, are very crucial to your potential to reach success. (Reading about this the first time really astounded me. Olympic class hockey players, to give you an idea, are mostly born in January by a very disproportionate degree. Not only this, but successful men of the Silicon Valley have all been born somewhere around or between 1952 and 1958. It is an extremely interesting idea.) But what Gladwell also proves is that your luck isn’t sometimes just something of fate that you pray for, but rather a passing opportunity that one must be prepared to catch upon discovery. We can take away from this book the idea that by understanding your culture, spending time on your passions, and remembering to be persistent in what you do will help you get farther down the road towards success. In the end, it is passion, dedication, luck, grit, background, and persistence that takes you far enough to know that you are an outlier.

 

I have found that I have a liking for books that question the morality of man and such. Books that question what is taken for granted? They are quite mind-stimulating, to put it in a very odd phrase. It gets me thinking. I like that.

But putting all formal book reviews and wordy explanations aside, what I mean to say is READ OUTLIERS.

It is simply an amazing book that gives you a completely different angle on success and the road to it.

I will leave you there. Adieu.

Thoughts on Man ? Society ? – Ponderings based on Anthem by Ayn Rand

 

Greetings, readers and writers of the world. I welcome you to my undernourished and famished blog.

Recently (today) I started reading Anthem by Ayn Rand, which I assure you is a very very interesting book, to say the very very least of it. It… hm… I have not quite finished formulating my thoughts on the book, due to the fact that I have only reached the halfway mark of the book. It, however, got me thinking even when I was traversing the first few pages. I think that reading the book will give me decisive opinions about the book and its content, but for now I will leave it with a question mark ?

Here is a writing response I wrote on a lonely blank Microsoft Word document once I got home (I was reading this book whilst waiting for my mother to finish doing her religious duties). I read it over and realized that it quite nicely summarizes what I have gotten out of the book so far.

I encourage you all to attempt to read at least the first page of this book (excluding the Author’s forward and Editor’s note because neither the Author’s forward nor the Editor’s note will get anybody remotely interested in reading the book. Though I must say, the Author’s forward was interesting considering it being an Author’s forward. But nevertheless what I mean to say is that you should read the first page of the actual book, Chapter One of Equality 7-2521).

  

  

A man once said, “Every man for himself.” But today, no man is for himself. No man is for the self. Man is for the society. Man is for others. Man is to do what other man is to do. Man is to smile, man is to laugh, but man is not to smile and laugh at what society thinks man should not smile and laugh at. Man is to do what man’s neighbor does, as long as man’s neighbor does what his neighbor does. Man is to think about his role in society. Man is to give up some ideals for the good of the other man, and man is to wonder if man should pursue his dreams or pursue money. Man is to think that he is living a life full of freedom and liberty and choice. Man is to live happy, man is to live free, and man is to live content. Man is not to think about why society is created. Man is not to question the rules in which all man follow. Man is allowed to dream big, but not dream far. Man is to assimilate into the crowd, and man is to stay that way, blending into the sea of monotonous unicolor revealing no personality and no opinion. Man is to think about what others might think of him, and man is to resist from doing his own wants which lay outside of the social norm. Man is to be social, but in the way society wants man to be. Man is to do what he thinks will make other like him. Man is to do what he thinks is thought of as normal. Man is to be normal. Man is to obey.

A man once asked a crowd, a crowd of supposed diversity, a crowd of many men, a crowd of individuals, a question. And such a question held not one answer, but many. Yet it was a question which required knowledge of the social norm, which required an answer which was open to many but accepting to one. It was a question which tested the very essence of Man, is Man for himself, or is Man for society? Is man for his own opinion, or is man for pleasing others?
A man once asked a crowd, a crowd of supposed diversity, a crowd of many men, a crowd of individuals, a question. The man blinked once and soon he was simply asking one man a question, and he replied with one answer. It was not any man, but Man. Man did not hesitate and Man did not think.
A man once asked a crowd, a crowd of supposed diversity, a crowd of many men, a crowd of individuals, a question—only to realize he was mistaken, for he was simply asking one question to one Man for one answer.

 

 

(Note: the Man and Society mentioned in my writing above do not correspond with the Man and Society in the book Anthem by Ayn Rand. Though it very closely relays the ideas of the society in the book, this writing is actually my thoughts and opinions on our society that we live in today.)

Why do we read and write?

Long has it been since I last typed words into this text box that would print itself onto my blog.


Oh, how long has it been.

I have been fine, thank you. I am back, and I am a tad disappointed in myself, to say the least, but nevertheless, that is what happens every year, and I will deal with that myself and just put post-ly things on here. Blog-worthy writing and prose. No rambling.

(Sorry, no guarantees, though.)

I'd like to start off (it's been too long of a hiatus to say "continue") by asking myself (and you, I guess)--why do we read? Why does literature exist?
It's a pretty broad question many have attempted to tackle with, and I think it is an important question readers should always consider. It's, of course, a very subjective question, due to the fact that everybody reads for a different reason and everybody writes for a different reason. But it's important to assess what values reading or writing has to you, individually, and also for our community as a whole.

Of course, here, I will be putting what reading and writing means to me, but in no way does that mean that reading or writing must have the same values for you, you, and you. Oh, and you, too, all the way over there.
(Don't question my weirdom.)

To me, reading and writing is about empathy. It's about communication and conveying your emotions, your feelings, your--colors, and trying to get other people to feel that feeling. In a sense, anything humans create is art. It portrays the fragility, the vulnerability, the dynamics, the emotion, the spontaneity of the human mind and soul. Words we string together, colors we splatter on paper, songs that we whisper, whatever it may be, it requires a living soul, and thus embodies the art of a living soul inside of it. And so writing and reading is a part of that great general idea of "art."
Reading and writing are also, in my opinion, communication across not just distance or race or people, but across time. It is connecting to your ancestors and descendants, it is reading about who they were, who you are. It is the closest connection we have with our ancestors whom we will never meet nor see.
Reading is empathy. Writing is the medium. It is the closest to empathy that we misunderstanding, selfish humans can get. By reading, we indulge ourselves in another life and world, putting on the mask of the character and wearing the emotions of his actions, feeling the guilt and sorrow and terror the character feels. It gives us the background and insight and details that we will never truly understand in real life. It gives us a connection and a way to empathize for others, to meet people who are fictional yet so real. It gives us the experiences we will never get and we might never have dreamed of. It gives us hope and sorrow, it gives us anger and happiness. Reading can make us cry. But it can also make us laugh.
Reading is a communication of emotion. It's the communication of the essence of the human soul. It holds that brittle, fragile soul that can laugh at jokes and cry at funerals and fall in love and get into fights. It is a soul-to-soul communication that does not walk across the awkward bridge of reality but rather leaps directly from author's emotion to reader's emotion. 
But most of all, writing is a way for me to express myself. It is a way I can say words, stack sentences, pile stories together that I have the lacking of in reality. It is a way to put across my ideas and thoughts in ways I am not fluently able to do with my mouth in person. It is a way to show people what I am like and what I think. It is a way to help me worry less about my inability to speak out and speak clearly in person. Writing speaks. Reading listens. It skips across the difficult bridge of reality and jumps from me to the reader. No stuttering and no hesitating.
Writing is my voice.


What is reading and writing to you? What is your voice?

Midway Check: Outliers

As you can tell by the sidebar, I am currently reading Outliers by Malcolm Gladwell. It's an extremely interesting book, and it's a shame I don't have so much time on my hands to just sit down and read it in one sitting. (Unless I want to give up some sleep. But at this point in the year, sleep is gold.)
Outliers is a non-fiction book debunking the myths about success. Actually, not really debunking myths, but rather clarifying some simple and innocent misconceptions a great majority of the public seems to have.

We're always taught that working hard will get us to success. A little bit of talent, yes, but working hard is the key. After all, if we just have talent, we can't improve on it or do anything without effort. Ef-fort.
What Gladwell does is splash some ice water on our faces and shakes us by the shoulders. No. Life does not work so simply. If anybody could succeed by hard work, by golly--there'd be a lot more people in the magazines and newspapers. (Did I really just say by golly. Let's pretend you didn't read that.)
(I kind of felt like it was appropriate, though.)
(...never mind.)
And it's true. Once you read Outliers, which I am in the process of doing, you realize there's so much more to success than just talent and hard work. No. It's a multitude of variables, and those variables are actually very surprising. It's not just your environment or your family, but what month you're born in, what year you're born in, where you live, and other crazy variables you'd think were just trivial attributes.

Outliers also has lots of snippets of "success stories," digging deeper into the ground and uncovering some mysterious reasons as to why these stories did become indeed success stories. As in, what is the real reason why Steve Jobs became Steve Jobs? Why are most Olympics hockey players in Canada born in January?

Honestly, it seems like a book for ambitious people who want to succeed by reading a book along the lines of "How to Succeed: A Guide to Ruling the World" or of the like, but this is in reality an extremely intriguing psychology book. And trust me, psychology is pretty interesting. It's us we're studying. The tiny cells in our own heads.

...and that was my Midway Check on Outliers by Malcolm Gladwell (more like a quarterly check). I'm glad I was able to post this week.

Happy Reading!

On Writing by Stephen King

Before I start talking about things actually relevant to the title of this post, let me designate a little prelude to let you in on some updates of my life.
So.
Yes. I am alive. I had, once again, fallen off the face of cyberspace and left all of you hanging there, wondering whether I was lost in the woods or floating around in a vacuum of nothingness. I apologize. But nevertheless, here I am, healthy and well and significantly less awake than I was the last time I posted on here!
I'm a bit preoccupied with my school schedules, as well as me studying for a certain subject test for a certain area of science that has a certain relation to living things and how they work, which is also consuming most of my time. More like, it's devouring most of my time. Also I've done this somewhat stupid thing called 'joining the cross country team,' which evidently leads to much tiredness, leg-soreness, and a lot less time. (But I actually kind of like it, so it's not that bad.)
(I am 36.7% sure you didn't understand that previous paragraph.)

But I know, it's no excuse to not-post-every-week, which is, after all, what this year's resolution was. I will try. I even have a notification on my phone set weekly for every Saturday at 4:00 PM. (Obviously I guiltily turn it off every week.)

...but on the bright side, I've read some books over the summer, and I'm reading an awesome book right now, and... well... nothing too bright, actually. Yeah. ...A lot less time apparently means less time for reading and writing. And I know, it's bad. Because I really, really want to learn to write well, like those virtuosos who make words fluid and dance and make you cry and all that awesome jazz. But according to Stephen King, whose words are sad but very true, "If you don't have the time to read, you don't have the time or the tools to write."
So now, after reading On Writing by Stephen King, I am depressed every time I think of the fact that I don't have time to read. And honestly, it's not so much that I don't have time. Because I have time when I'm in the bathroom (which I know it's weird to say, but am I really the only one who reads in the bathroom?), on the bus, waiting in the doctor's office, waiting in general, and other in-between places like that. But more and more I find myself leaning more towards the digital than the analog, which makes me sad. And honestly I'm not as bad as some people who claim to not have read a book on their own since fifth grade (which I honestly don't understand how that even works) (and yes, somebody actually said this), but I still tell myself to read and not Internet (yes, I have used Internet as a verb, excuse my grammar). I still do read in the in-between places and other boring things, but I can sort of feel myself getting bored sometimes. And it's bad. I still love books, but now it's in between going on the Internet and reading a book.
(That was a terribly constructed paragraph. Oh, well.)
Okay. Let me pull the leash a bit so I don't stray too far off into the woods. So.
On Writing.
By Stephen King.

I've already introduced y'all to a quote of his, which if I were to waste post-space and restate it, would be "If you don't have time to read, you don't have the time or the tools to write."

This book, I warn you all, is non-fiction. It is, entirely, and purely, non-fiction. But let me tell you another thing. It is, honest-to-God, non-fiction in disguise. It's as fiction (and by fiction I mean the tone of it) as Richard Peck and as entertaining as Harry Potter.
(Okay, maybe the Harry Potter thing was a bit of an inflation.)
On Writing is, as the title so succinctly states, about writing. It's about King's progression towards becoming a writer and about what he thinks each writer should know about writing. And putting this boring sentence aside, it is written in such a way that you forget you're reading non-fiction and you feel like you're reading a story. A story about Stephen King, only not Stephen King as some non-fictional author who wrote an autobiography for self-promotion, but as a Stephen King character who goes through hardships, funny moments, epiphanies, and life-changing events.
So yes, it's a good book. I'd recommend it to anybody who likes writing or wants to know how to write. Honestly, for anybody who likes reading.
Scratch that.
Just read it.

The book is divided into, to generalize, two parts. One is his autobiography. And trust me, it's not the sort where they talk about In 1940, he won the Nobel Literary Prize with his co-author Daniel Bob. In 1951, he sold one million copies of his book Hello. His wife and children then moved to Connecticut and has since lived there up to today. and other boring series-of-events. (By the way, none of that is true. I made it up on the spot.)
Rather, his autobiography is multiple snippets of his life that describe moments that affected his writing career in one way or another. The book starts out with him as a child imagining himself in a colorful circus scene in his aunt's garage and ending up injuring himself. Then the next snippet jumps to, for example, his babysitter, who exhibited really strange behavior (you're going to have to read to find out, heh). It follows him through his life as he gets into trouble in his high school (that part was pretty funny), as he graduates and struggles to find a living, as he works in a laundry-place to scrape some coins by to feed himself and his wife, as he struggles with drugs and alcohol, as he somehow manages to write with the encouragement of his wife, as he persists in his determination to get published onto a writer's magazine... and on and on. It's honestly really inspiring and not the least bit boring. I know it sounds bad. But honestly.

The second part is Stephen King directing us as readers (and writers) what to do and what not to even think about when writing. He talks about adverbs and the passive voice, about sentence structure and flow, and other important things in writing. This part is what might be boring for some, but for me, it was really helpful. So if you like writing, or you want to improve in writing, or you are interested in the art of writing, or whatever it is with writing that you have an interest, you should definitely try reading this book. He gives a lot of helpful tips. And it's not boring. I mean, I read it in two days. Which is practically record time, considering I read it after school started. (While it took me practically two weeks to read The Book Thief, for some really strange reason.)

(Heh. I read it so fast partly because it was a summer reading book due in two days. Long story. Basically, I already had two summer reading books read for school, but one of the books was on hold in the library on the day I had to bring it in, so I couldn't bring it to school for the summer-essay we had to write. I ended up kind of just speed-reading On Writing that weekend since I had that lying around in my house. Though now I'm glad that I did.)
(Hopefully that paragraph made sense.)


Reading On Writing sort of got me thinking. It made me think about success in general, as well as writing success. I think it's the experiences that you've had that contribute to the pool of thought in your brain, which will eventually make its way onto paper and find its way to success, whatever it is the word means to you. When you think about it, people who succeed (and not everybody) tend to have a dark history some time in their past. And by dark, I don't mean jail-time or anything like that. I mean, a death. Or financial hardships. Or an illness. Something that was life changing and kind of stopped you in your tracks, shook you by your shoulders, and screamed into your face. Something that changed the way you think, the way you life, the way you take things for granted.
I mean, honestly, it's up to you, as a reader, to agree or disagree with this. And it's also your definition of success and a person-of-success that it depends on. Whether your idea of success coincides with mine is something nobody shall know. But either way, On Writing got me thinking. It sort of inspired me, as well.
If you've read the book--and even if you haven't--Stephen King mentions some hardships he had with financial issues, with drugs and alcohol. It's not like he wanted to do it because he thought he'd look "cool." It was something he turned to because he felt like his life was so messed up and so doomed, because he was devastated in his failures and the deaths around him. (I believe it was just his mother, actually.) But he dragged himself on and continued to write, continued to pursue his passion. And it sounds weird, but as I sort of followed him through his writing as he traced his life again, I felt pity for him when he was hungover, sorrow for him when his wife told him he'd have to get back up unless he wanted her to move away with his children, and I felt this utter joy and pride when I read his breakthrough as he suddenly got an offer of a few ten thousand dollars. It tells me that all success is something we can't take for granted, even though they might be living in a mansion today. It sort of told me that yes, I can choose to become discouraged when I see someone so high up in success, but I can also think of what they did to get there, that everybody has a past that isn't as bright as the today, and that any dark present I may be in can lead up to successful future if I bring myself together and pull myself forward.

So yes. That's what I got from On Writing. After reading it, I had all this built up energy and excitement from reading about writing. I was nearly leaping out of the bed to start writing after I closed the book. Heh.

That's about it.

But you know what? Regarding three paragraphs ago (I don't know if those past two are even paragraphs) when I constructed quite a few potential run-on sentences to describe the inspiration I got from the book, I am currently reading a book that somewhat contradicts the "if-we-work-hard-we'll-get-to-success" idea. It's called Outliers by Malcom Gladwell. I've read another book of his, called Blink, and I've heard from my friend that The Tipping Point is also a good book, as well (also written by him). Outliers is a super-interesting (also non-fiction) book analyzing the success of people from different areas. Gladwell talks about how success might not just be hard work and grit, but also a significant amount of luck and perhaps a formula that these high-end people have in common. It's so intriguing. I'm serious. It's awesome. And you'd think the hockey players got there because they were better at hockey.
(You'll only get that if you've read the book.)

So yeah.
That's about it for today.

Toodles.



P.S. I forgot to note this, but recently I've fallen in love with metaphors and similes. Not the flowy old-fashioned Victorian style, but sharp and sarcastic metaphors and similes that Zusak and King use so well in their writing. Seriously. I need to frame their metaphors on my bedroom wall or something. They're so creatively colorful. I want that.

Another One-- Utopia City

Okay. So I wrote this a while ago, and I've been editing it A LOT. I don't know if it's good or bad, because honestly, I started out with this and just kept writing and writing to no end until I thought I had the entire story out. And then I read it over and thought about the plot.

(link: http://thewritingdatabase.files.wordpress.com/2013/10/utopia-city-v3.pdf)

Utopia City

Her breath was shallow. In. Out. Deep breath. She tried to catch her breath.
But there was somebody behind her, she could feel it, she swore there was somebody behind her, she could just feel that prickly sensation of eyes on her back, those laser-like eyes of her master—
Keep running.
Keep running.
She found the gates. They were big. There were lots of people. They were all crowding around the big, fat, unfolded gate. Thousands of people. She pushed through. Sorry! Excuse me! I’m sorry! She ran. Run. Run.
Deep breath out.
Don’t look back.
Just keep going.

She ran. And ran.
Don’t think about it. Just run.
She ran until she thought there was nowhere left to run. She ran until her breath ran out, until the people at the sidewalks began to move aside to let her run, until she thought her chest would rip apart—
Why was she running?
She stopped.
She’s safe now.
She’s in the land that everybody dreams of. The capital of the country, the land of hope, the soil of freedom, where every dream’s heart resided, where every beating minute of every toiling life yearned ever so desperately to live. She was there. Here. She didn’t need to run. Not in this haven.
She looked around, at the picturesque peacefulness slapped onto the walls of every house, every human, every single monument and object that she could lay her eyes on. Each house had a friendly echo and each person had a welcoming smile drawn onto their face. The warmth was contagious. She kind of felt like smiling in return—
Yet she felt utterly bitter. And selfish. She wanted to take a bucketful of this city and hand it out to each and every person outside of those fat, well-fed gates.

She was now in Utopia City. This was where accidents were extinct, where happiness thrived, and where negativity was nonexistent. She didn’t need to worry. Or run. How could she be arrested here? There was no murder, there was no crime. There was cooperation, there was prosperity. Progress. Improvement. She didn’t need to run. She was in Utopia City. It was okay. She would be fine. Deep breath in. Let that sweet freedom congest your lungs.
She finally smiled. She couldn’t believe it. This was her dream. Her mother’s dream. Her sister’s dream. Her brother’s dream. Anybody outside of the city’s dream. And she was here. In that dream. Her smile scraped the corners of her ears.
She would live here, now. She would start a new life, and find a job, a home, and live in the protected haven of Utopia City. Of course, later on, she would leave to find her friends and family, and bring them back. One at a time. But first, she would cherish her luck and stay low. Stay safe. Settle in. Understand the ins and outs of the city. Then, she would start handing out spoonfuls of Utopia.


How could she have known that she, of the one hundred thousand in her home city, would be the one to land in Utopia City? She wasn’t well educated, like they said you needed to be. She wasn’t exceedingly talented. She had just sneaked in. Somehow. She had just sort of… cheated. She’d just sort of barged in after running away, running away for miles and miles. Did she deserve to be here? The ‘one out of a thousand’ that her teacher always taught them of? Did she really fill that glorious title?
But now that she was in, she knew all the fear, all the suffering, and the running—it was all worth it. She looked around at the beautiful scenery—the lush fields of grass alongside the elaborate technology lining the beautiful architecture, the smiling, friendly people strolling in the streets—and she suddenly felt a pang of guilt. And shame.
Utopia City belonged to everybody, she felt. Not just her. Not just these people. To her siblings, her mother. Her neighbors. The children in the streets back at home, their skin attached to their bones, their cheekbones and ribcages screaming for food. To everybody.
She closed her eyes. She breathed the air. The sweet, prosperous, paper-smooth air.
And she coughed. It was a cough that came from the very pit of her existence, like it tickled the bottom of her stomach and shot right up and fled through her mouth.
She was sitting in a little lunch bar, no money on her at all. She stared at the huge menu that gave her a countless number of options to decorate her sandwich. She looked curiously at somebody throwing out scraps of their untouched food.
She coughed again.
She looked up, for the first time, taking a good look at a Utopian. It was a male, sitting, with a relaxed and happy face, a face that never knew fear, a face that never understood pain, a face that was swelling with sweet happiness. A calm, content face. A face that had never suffered.
She coughed again, louder, this time. Her chest hurt.
The man looked up from his newspaper. He was sitting at a table across from her. He looked at her, and an expression—anger? Annoyance? Frustration? Fear?—flitted across his face. It was like a reflection, like something that you could see if you tilted it in just the right angle in just the right amount of light. But it had folded back into a smile before she had gotten a chance to identify it.
She stood up to leave. Something was a little eerie about the man’s expression after she saw the little ripple of emotion.
But it was Utopia City. There was nothing wrong here. They kept everybody safe and happy. They would keep her happy, too.

She was walking in the streets, with her old backpack. She needed a home. She needed shelter. The streets of Utopia City was good enough a haven. It was crime, disease, and discomfort-free. But for some reason, she felt... undignified, and—undesired if she dared sleep in the streets. Sure, the streets were as safe as the home, they were as warm, and as comfortable, but the mere thought of sleeping in the streets made her feel—barbaricUncivilized. The words came to her quicker than she could have conjured them herself. As if they were slipped into her mind.
She walked into a neighborhood and saw little kids playing in the yard. They seemed to be negotiating over a soccer ball. She smiled. One of them seemed old enough to work. He was lucky to be living in Utopia City.
But as she passed them, she saw the little glint again. It was faint, but it was still there. And it bothered her. A little rustle of emotion—anger? Pleading? Sad?—on their faces that disappeared as quickly as it had flickered by. The nearly invisible moment poked at her like a needle.


She had been there for a week now. She was working at a coffee shop. The owner was kind and accepting—an old woman who knew the city inside out. It was where they sold coffee, a sweet yet bitter drink that she immediately fell in love with the moment she took a shy sip. It kept her awake and alive, despite her lack of sleep, her nightmares—which she had noticed, were fading away. They weren’t as bad as they were when she used to live outside.
Outside—did she really think the word outside? Her sense of home was beginning to shift. She was becoming a Utopian. Soon, she would find her family and bring them, as well.
She poured the freshly brewed mix into a pastel green mug for a customer. He was a kind young man, and he gave generous tips.
She was thinking dreamily about the way he smiled and lifted his hat as a greeting every day when suddenly, her hand slipped ever so slightly. The cup responded violently, however. It dropped on her apron, splashing and attaching its hue and scorching heat to her clothes, beading up on the edge of the table, dripping onto the floor in a mocking way—drip! drip! drip!
Suddenly, she felt a surge of emotion rip through her. She wanted to shout out in pain and clear out the mess with anger. But she felt something. At the back of her mind. She suddenly realized that all her life, she had been living uncontrolled. Uncivilized. Unmannered. Undignified. A true, mannerful person would calmly wipe away the mess, change her apron, and pour a new cup. So that was what she did. She felt a sigh unfold.
Thank goodness she came to Utopia City.
Otherwise, she would have lived her life as a barbaric commoner.
It was only later, as she was giving her kind, handsome customer his coffee with a smiling apology that she realized what had happened. She wasn’t the same as before. She had changed.
She was beginning to become a Utopian.
A true Utopian. As she saw the familiar flicker quickly accompanied by a smile and a reassuring comment made by her customer, she realized that this was the way every Utopian lived.
They lived controlled. Dignified. In a utopia.
At the back of her mind, she felt a wheezing cough coming up. She felt it tickle her lungs and her heart. She wanted to cough. She held it in.


Days passed, weeks ended. Ellen was becoming more and more accustomed to the peaceful life of a Utopian. She was enjoying it. She was smiling. She was happy. For the first time. She finally understood what true happiness was.
She was lying in bed one day, during the two hour lunch break, sitting in the spare room that the coffee shop had. It had been about six weeks or so since she first crashed through the gates. She was taller now. Well fed. She had gained much weight—her shop owner had told her just this morning, “Dear! You’re so beautiful! You look so healthy now!”—and she was finally getting enough money to start finding a new abode instead of living in the coffee house. As much as she loved it there, she didn’t feel too civilized living next to coffee brewing machines and hazelnut beans.

Facing the ceiling, her back on the bed, she tucked her arms under her pillow. Her mind wandered to the pressing responsibility of bringing her family to Utopia City. After all, she had settled in, now, feeling more comfortable and at home. She was much more mannered and dignified and learned.
At first, she constantly felt like she needed to bring her family quickly, that they were waiting for her, they were depending on her, they were worrying about her.
But the more she thought about it, the more she realized that it was impossible. She couldn’t just leave Utopia city. Abandonment was a trait of the doomed. It was a trait for nomadic barbarians. Not for Utopians. But still... she didn’t want her family to live life so uncivilized—it was almost an embarrassment to think that her mother would be at home, scolding and hitting her younger sister for silly mistakes.
But still.
Ellen soon realized that she would have to bring not only her mother and her sister, but her brother, her aunt, her uncle, and her cousins, as well. How could she selfishly bring just her mother and her siblings? What about her aunt, whom she had been so close to? And what about her friends? She had planned the runaway with them—though in the end only she was brave enough to go.
The plan was getting bigger and bigger—more and more impossible. She couldn’t just bring a bunch of uncivilized people into Utopia City. She shook her head. She couldn’t believe that she was so clueless when she had first entered the city.
Besides.
They were living fine, back at home. They weren’t as bad off as the starving little children in the streets. And it wasn’t like she could bring them, because there were too many starving children in the country.
Suddenly, it hit her. How could she not have known?
Utopia City wasn’t a right.
It was a prize.
It was something you had to chase.
Utopia City wasn’t some flimsy award that you could hand out.
You couldn’t have it given to you.
You couldn’t ask people to lend it to you.
You had to work for it.
She couldn’t just run and bring her family and—rescue them.
They had to work for it. Like she had. In the woods. Starving. Hunting. Running. Screaming. Rushing. And finally, arriving. She was the rightful one out of a hundred thousand. You didn’t just have to be smart. She had been strong. She had been brave. And you needed to deserve Utopia City to get there. She realized that she deserved Utopia City as much as the next door Pizza shop owner. The guilt and confusion that she had been feeling for so long, that had crumpled her heart into an uncomfortable ball—disappeared. She let out a sigh of relief. She deserved this place. She wasn’t undesired. She didn’t need to worry about being caught.

She stood up and looked in the mirror. It was small, but it was big enough against the wall so that she could see her face. She touched her face, looking at her reflection do the same.
Her finger froze.
Something felt.
Different.
She ran a finger down her cheek and found that her skin was smoother now. Much smoother. She could no longer feel the rough bumps of wild pimples strewn across her face. But it wasn’t the smoothness of skin.
It was the smoothness of...
Paper?

She looked in the mirror, her nose pressed against the glass. She examined her skin. She turned left, peering through the corner of her eye to see her side view. She turned her face to the right, to do the same. She fingered the outline of her face, where her skin and her hair met. Her finger paused right next to her right ear. She felt a little flap of skin. She peeled it off, a bad habit returning from when she used to live outside.
It didn’t stop peeling.
She kept pulling, until she realized that she had peeled off a fourth of her face and suddenly oh god oh god it hurts oh my god please what is this pain I’m going to die and she instantly let go of her skin, which plastered itself back onto her face.
She looked in the mirror, blinking the tears away. She looked perfectly normal. She felt no aftershock of the pain. She looked in the mirror, and as curiosity got the better of her, she tried again. She fingered the paper-like, rough, yet smooth skin that covered her face.
Even though she had scrunched up her stomach to anticipate the pain, nothing could have softened the blow. She was hit with a pain that was not just physically excruciating. It shook her from the very bottom. She felt the scraping of the branches as she had run through the woods—the frantic, unstable fear that buzzed around her every minute she was outside of her home. She felt the crack of the whip when her master had punished her, her voice crying out in pain, her back opening up to let the blood rush out of her. She hear the crying of her sister as she was being thrown into the punishment room when she had refused to drink the long expired milk. She heard her brother crying out in pain as the master’s son beat him up. She heard her mother’s voice—Honey, honey. Don’t worry. We can sit. We can talk. Please don’t leave us. She felt the pain stab her heart and the sorrow tighten its wisps of fingers around her throat. She felt anger, sorrow, pain, suffering, frustration, confusion, fury—

She coughed. She let out a deep breath.
She looked in the mirror.
Her hands were frozen in front of her. Her skin was back on her face.
Her face.
It looked happy. It looked content. It looked like a Utopian.

What had happened?
Her memory was hazed. She felt like a little mouse was tugging at the corner of her memory, shyly trying to unveil what had happened in her mind a few seconds ago.
She felt a little uncomfortable. But she couldn’t exactly remember why she was in front of the mirror.
She didn’t really want to know, though.

For the rest of the day, she stood at the counter of the shop, helping the other Utopians, keeping her face composed and her emotions under control.


And as you passed by the shop, you couldn’t have been able to tell who was Ellen and who was a Utopian, because they were different, yes, but they were also all the same.

Nation by Terry Pratchett: a Spoil-Free Review-thing

Many weeks have passed since my last post, again. [Insert over-exaggerated apologies here]

I am reading a new book titled “Nation” by Terry Pratchett right now. It reminds me of the book “Lord of the Flies” by William Golding. I haven’t finished it yet (about 3/4ths through the book), but for sake of filling this post with something blogworthy, I will try to write a crude summary about the book so far. (Or, as the title suggests, a Review-thing.)

It’s written in the point of alternating characters, Mau and Ermintrude (in third person though). Mau and Ermintrude are from different “worlds”—while Mau is a boy from a tribe/island called the Nation, in a nearly unknown island that the Europeans called the “Mothering Sundays” island, Ermintrude is the daughter of a rich and wealthy man who has now risen to become king because of the many deaths caused by a plague (but she and her father have no idea of this because they’ve been travelling around the world). The book starts as Mau traveled to another island to cross into his manhood, a ritual that every boy did when he became of age, and Ermintrude was aboard a ship that was sailing back to the mainland to assume her position as princess (again, which she had no idea of). (This is the backdrop of the book. Don’t question it.)
Mau and Ermintrude, who had never met before and never knew each other, were suddenly clashed together in a gust of unfortunate fate as a great tsunami, “the great wave,” came over the Nation and the neighboring islands. Mau became the sole survivor due to his luck of being away from the island at the time, and Ermintrude became the only survivor on her ship (which was in the area of the tsunami just as it rose) as well. Mau, shaken by the sudden death of his family, the disappointment of not getting the newfound respect and glory of becoming a man, and the anger for him being the sole survivor, suddenly began to question the gods: did they exist? Why did they do this? What was the point of believing when they killed your entire country, the Nation? Are we just creating stories in our mind?
Meanwhile, Ermintrude, a girl brought up to be ‘prim and proper,’ is afraid and lonely but surprisingly strong in the sudden crash. She sees Mau washing away the bodies of the dead into the ocean, and finds relief that at least there is a ‘darkie,’ a ‘tribe boy’ to keep company. Soon, the two of them cross paths, they begin to find some life and hope, and sooner again, other survivors from other islands nearby begin to come and search for shelter and comfort. Mau, the only person left of the Nation, is the only one who knows the culture and history and rituals, and suddenly is overwhelmed with the responsibility of witholding the duties and cultures that the Nation had held for the past thousands of years. He hears the voice of the Grandfathers (the Nation’s great ancestors of the past) screaming at him to do ‘this and that’ to keep the gods near and dear, but Mau fights against this, losing faith in his gods by the minute.

And the rest you shall read in the book, which is quite good so far.

Happy Reading!

I had to. 5-D

So I read this post the other day.
The link is here: http://goo.gl/pSrWMf
(Sorry for the profane comments after the story. Not me, though.)

It was a really thought provoking story, and it instigated me into thinking more about life and time and everything, and I began to visualize this 3-D grid where the x, y, and z axis (what's the plural? axes? axis?) were time, life, and space. So I wrote a story about that. Took me a few hours. The fastest I've written a story. =.=

So here it is. It's still naked (not edited), but I really have to sleep, and I haven't posted much here in a while. So why not?

It's inspired from the story at that link, so I'm sorry if I'm breaking any copyrights or something. :c Hopefully not.

[I took my story out because after reading it the next morning, I felt like gagging. SO yeah. Too bad. Naked stories are terrible.]

An end, finally! ..and some Ponderings

Whew! I finished American Gods by Neil Gaiman. To-day. Ahh, I’m finally released from the world of Shadow and Wednesday… Not that it was a bad book. But goodness, that book was long! Perhaps it was because I read slowly, or scarcely. I don’t know. But it’s held me chained to it for two weeks, and now I’m free. Maybe that means that subconsciously, I didn’t really enjoy it much, seeing that I’ve used the verb ‘chained’ to describe my tied-ness to the book. Who knows. My consciousness doesn’t find it that bad, though.

Anyhow. That’s that. But the main reason I’m posting, is because I’ve been thinking.

I was thinking…about adding a new feature to this blog. I know not many read it--really, it's mostly for myself. This new feature. But I thought I ought to organize these thoughts and ponderings on a nice post, partly because I haven’t posted in a while, and partly because I finished American Gods, and I felt obliged to post something about it but I didn’t think that I could fill a good, lengthy post just about American Gods at the moment (because I’m planning to save a fully American Gods-dedicated post for later).

A while ago, and I mean a while--this is going back to when I was in sixth or seventh grade--I emailed a favorite author of mine--Lois Lowry. I told her about how she was my favorite author, her books, my writing, blah blah. (Don't worry; I kept it concise--don't want to tie an author to a fan-email for too long..)
Thinking back on it, I asked myself--why don't I do that now? I mean, we all read books, we all have favorite authors, and we all get that Slam! Didn't see that coming, did you? sort of books that change our lives, whether it's a millimeter or a meter. So why not ask the author? For real?

For some reason, to me, asking or contacting the author who created the book was some sort of sacred thing that I should never do (God knows how I urged myself to contact Lois Lowry). Because a book was a book. Period. There was nothing to it. It existed in its own world, inside its own bubble, and it would stay there. I could visit that bubble and indulge myself into the soapiness of the story, but it would always and forever remain utterly separated from the cold, outside world. To somehow string reality and fiction together was some unspoken horror to me. And it’s only now that I have actually defined this feeling into words on paper. (Yeah, I know. Words on screen. But paper sounds better.)

Even now, though, I still have the remnants of that book-and-reality-stay-apart feeling. It just disappoints me, sometimes, to think that people as flawed as me are writing these flawless stories that subtly shape my life and my morals. I guess it’s just me. But perhaps others feel this secretly, as well. I don’t know. But anyways, I didn’t like to think the people in the book as mere fictional characters designed and created by the author, that they weren’t real, that they weren’t flesh and bone. That an author would be like, “Oh, yeah, Harry? Yeah, I made him. He’s in my book. Nowhere else, though.” I… I don’t know. It’s a difficult feeling to describe.

What also disappoints me sometimes is when authors write a book and they didn’t intentionally put a ‘secret meaning’ into it, yet it would instill such great concepts and philosophies in the minds of readers. Me.
When an author says, “What a reader gets out of a book isn’t exactly what the author puts into it,” it somehow chips off a little piece of my heart. I have no idea why, but I get that sad feeling all the same. I know it makes perfectly sense, and that this happens all the time. And it’s completely acceptable. But all the same, it disappoints me to think that this great meaning that I thought I learned from this great author—was just me—makes me feel so alone. And… lonely.

But yeah, that’s a reader’s point of view. One out of a hundred. A thousand. A million.

 

To get back to the point, I was talking about my new feature. So although I’ve quite often thought against it, I’ve decided to try a new ‘Thing’ on my blog.

Drumroll, please.

[Drum rolls]

Author Q&A’s!

[Trumpets blowing twice with the rhythm of ‘Ta-da!’]
[Colorful rainbow confetti explodes from nowhere]

I would ask an author every month (because I feel like if I did every week, I would run out real soon) 10 questions (or less, I don’t know). Of course, first I’d email them to get their consent or to warn them or whatever, and if they reply with a ‘Yes,’ then I’ll reply with the ten questions. Perhaps I’ll get those ten questions myself. Or maybe I’ll get them from blog-readers (which I doubt there are many). And it won’t be any old authors. It’d be authors that I really like, that I pick. Whose books I’ve read much of. Perhaps I’ll take suggestions when I run out of authors. But not now.

I’m so excited!

Because while at the same time, I have that godly feeling towards authors—that they’re not humans but essences, no matter how much I know that they’re the same sort of people who yell at their siblings and slam on the alarm clock and spill coffee—at the same time, I still feel this excited-ness of knowing that I’m actually contacting the person who created my favorite book, one on one! That I’m actually talking to them, and they’re replying to me and nobody else (per se, I mean, I guess it’s also to those who read this blog, but you know..). It’s so awesome!

 

…Lookatme. I’m getting all excited again. I do this often. I think about a plan that I’ve made, and I freak out over it, obsess over it, and get all excited. Of course the feeling dies down after a few days of having thought incessantly about it with this level of intensity I will never reach when doing homework. Sometimes I realize the unrealistic-ness of it. Sometimes I realize it’s just another plan of mine, nothing too special about it. Usually it’s the first of the two. Hah.

 

But really, I’m actually planning this. Author Q&A’s! But I want to name it something eccentric. Something different. Not boring ol’ Author Q&A’s. It sounds like some name of a boring educational TV show. Welcome to Author Q&A’s, on every Wednesday at 5. Today we will be interviewing the world renowned author of…

So yeah.

asdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjlasdfghjklasdfghjklasdfghjklasdfghjklasdfhjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklsadfghjklasdfghjklasdfghjklasdfghjklsadfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklsadfghjklasdfghkjlasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdghjklasdfghjklasdfgh

I thought that I’d show you this nice piece of my post. It’s me staring blankly at the screen and typing out each letter in the second row of my keyboard (fourth, technically, counting the Function keys and the numbers) to a nice rhythm that I created. Ba-ra-rump-bap-ba-ra-rump-bap.

(I do this a lot, and usually I delete the jumble of meaningless letters, but I thought to myself—why not? Why not just publish it along with my post? So I did. I left it there. It' looks quite out of place, doesn’t it.)

 

Yes. And that is all. Expect another post coming up soon (about American Gods)!

 

Au revoir. Et bonne lecture. (Et l'écriture.)

Distant Love—FINALLY!

Yes. Finally. I’ve been revising, re-editing, re-writing, and re-organizing this little snippet for quite a while. And wallah! Here I am. I have “Distant Love” written by none other than moi.
This is the short story I was referring to from my previous post. So I thought, why don’t I tidy it up a bit for this blog? Not that many people will see it, but just to see it published.
Here it is. Prepare yourselves.


Distant Love
 

June 20, 1967
Ben Eade

“I think I’m in love.”
Your face was pressed against the window, your nose smearing the glass and your fingers drawing little lines of maple syrup as you followed something moving outside.
“I think I’m in love.”
“What? You’re only fifteen,” I remember saying while laying the slightly burned pancakes on your plate. “Fifteen is when you go outside and play basketball. Fifteen is when you find your interests and passions. Fifteen isn’t when you find true love.”
You didn’t reply. You just looked out the window wistfully. Or so I imagined. I could only guess your expression.
“Besides,” I added. “Time for breakfast!”

“We have new neighbors,” you were saying in between cushioned chews as you stuffed your mouth with countless layers of pancakes and syrup. “Neighbor, at least. Did you know that?”
“Yeah,” I said. “Remember? Their moving van came yesterday. I didn’t get a chance to say hi yet.”
“Don’t.”
You said that so naturally, like it wasn’t nothing, with an invisible shrug. Just a comment. Don’t. You continued to stuff more pancakes into your mouth.
“What?” I said, pausing my fork in mid-air. “Why?”
“Because,” you said like it was obvious. “We need to keep a distance.”
“What?” I repeated. “What do you mean, ‘we need to keep a distance’? Shouldn’t we be going over to say ‘hi’ to them, for courtesy? For manners? To welcome them into the neighborhood? There’s not much people here, anyways.”
You stayed quiet and continued to eat, leaving me slightly confused with your strange reply.
“Did you meet them already?”
You shrugged. “Well, if you’re going to say hi, then don’t take me with you or don’t invite her over. And don’t tell me anything about her. Not even her personality or what she looks like. I want to keep it remote.”
I looked at you curiously when you said that. “Huh? Remote?”
You shrugged and didn’t explain any further. But I couldn’t argue. You were usually like that. You would probably explain later. I just stared at you reaching for the last pancake and folding it into a ball of bread. You dipped it into the remaining droplets of syrup so that you could wrap your mouth around it, staring me back all the while. Then you just left the table.

The next day, you went straight for the window right after I woke you up. I had to go through all sorts of exercises such as singing, pulling your blanket away, turning the lights on and off and making siren noises. I even had to put ice on your eyelids once. You were a deep sleeper. Maybe you still are.
I sighed and laughed at the same time, seeing you with your confused hair sticking out in opposing directions, dragging your feet to the window, rubbing your eyes like one of those lost toddlers.
You were at the window again, leaning on the couch, which was leaning against the wall right under the window. You kneeled on the sofa, your chest leaning on the leather, your hands tucked under your face, perched atop the windowsill, looking out.

You finally explained your strangeness the following day, while we were eating lunch. It was my day off, because it was Labor Day. I had decided to make a massive ham sandwich with avocadoes. You loved avocadoes.
“You know our neighbor?” you asked me.
“Yes. I met her yesterday at—”
“No.” You said that urgently, slightly lowering the sandwich from your face level, giving room for your eyes to glare into mine. “Don’t tell me.”
I grinned. “What, you don’t want me to tell you about her?”
“Yes.” You were dead solemn, face straight and unbroken. “She is my distant love.”
I laughed out loud. “Distant love? Oh, you’re so strange! You haven’t even met her? How do you know you love her?”
“Because.” You went back to taking a chomp out of the sandwich.
I had plastered a half-amused smirk across my face, but quite frankly, I was probably very confused.
“She is my distant love.”
“Does she know this?” I asked, still amused. I was expecting you to burst into laughter and admit your lame act. You didn’t.
“Nope. That’s why it’s distant.”
“What is distant love?” I asked, playing along to a game I later realized only I was playing.
“Love is weird. One minute, you love somebody, and as time passes, you get used to them. You might even hate them.”
You were staring at your sandwich thoughtfully.
“Love… it can change. First, you love somebody. You don’t know them that well. So you assume things. You assume good things. But if you stay with somebody too long, you pick out the nooks and crannies, the little bitty details of the person that you wouldn’t have noticed at first sight. At first sight, you see the big things, like the good personality and the nice face. So you fall in love. But then you start noticing the tiny little spots, the little molds. And you think to yourself, maybe I don’t love this person anymore. Maybe I love somebody else. This person bothers me.”
There was a rich silence as you took a fierce bite out of your sandwich. You took your time. After a slow swallow, you resumed your little monologue.
“Or you have to accept the person. You have to accept and swallow the entire person. The good things and the bad things. And sometimes it’s hard to accept. Sometimes you can’t do it. Sometimes you’re annoyed.”
You were immersed in staring at the piece of ham on the plate. You were talking to the ham, your eyes unfocused and in a trance.
“So if I kept seeing her at a distance, I’ll love her mildly, I’ll love her for who I think she is, and I’ll come up with a nice background for her, a nice name, a good age, and a befitting personality. A be-fit-ing personality. I’ll assume things like people do at first impressions. But it’ll always stay that way.”
You took a deep breath.
“It’s not love, really. Not the sort of love that everybody else talks about, what everybody else thinks it is. It’s not the love where you want to marry somebody, or you want to kiss them, or any sort of affection like that. It’s a different sort of love. It’s the beauty of the daily routine, that it passes by every day, no matter how angry you are, no matter what you’re wearing, whether you’ve woken up to see it or not. It’s something you admiringly observe. It kind of shows how the earth keeps spinning and life goes on, whether you like it or not, whether you’re dressed up or happy or ready or not. I could have looked outside the window to see a bird perch on the tree every single day and say the same thing, that I’m in love. But I’m not, because there is no bird that perches on our tree every day. But that person walks past every morning. The same person, in the same car, with the same expression, to the same place.”
It took me a while to realize that you had stopped talking. You were finishing your sandwich, letting the silence hang in the air. It gave me a strange feeling.
You looked up and stared at me, proudly, swallowing the last bit of lunch.
I didn’t understand you then. I couldn’t understand your motive, why you were doing this, what you meant, or what you were even saying. I realize now that you were much more thoughtful than I was, though at the time I thought I was more mature and wise. I thought you were a little adolescent, whining and coming up with stories.

Every day after that, you were at the window. It even came to the point that I didn’t have to wake you up anymore. You would be right at your designated spot every morning as I walked out of the kitchen with breakfast in hand. You always sat there, at that same spot on the sofa, leaning against that same square of leather, hands on sill, chin on hands, looking out the window to the woman whom you did not know. Every day through that spotted, old window of ours. Like she meant something important, something you had to make sure was there, every day. It was very peculiar to me, and I began to worry that I should stop you from looking outside, dreaming and wondering unlike other restless fifteen year olds who were often in fights or playing basketball or playing war games.
“Her name is Jennifer,” you said one morning. I remember that morning, I made French toast for breakfast. I was getting the brown sugar out.
I guess the promise still holds now, even though it might not mean much to you at this point. I still can’t tell you her real name or what her real job is. It still makes me laugh, comparing your idea of the woman and the truth.
“Jennifer Chadden. She is twenty seven years old. She’s engaged to another man, but he’s a busy worker in New York. She used to live with him, but she got sick of the noise and chaos in the city, so she came here, to the perfect place. The middle of nowhere.”
I laughed. “How are you in love with somebody who’s engaged?”
“I said, it’s not that kind of love.”
I still didn’t understand you.
“She’s a lawyer’s assistant. Do they exist? Lawyer’s assistants?”
I shrugged. “Probably.”
“She lives alone in that house, and every day she takes her car and drives out to the city to work. She likes doing that. She listens to classical music on the way. Beethoven. Bay-toe-ven. And Mozart. Moht-sart.
“She’s a kind and smart person. She’s eager and lively, and she can be charismatic when she has passion in what she does. She smiles often. And when she’s with her friends, she laughs a lot.” You closed your eyes to pray before the meal, and then opened them again, smiling, reaching for a French toast lying limp and soggy on your plate.
You didn’t say a word after that. Days and days afterwards, you would look out the window, with a pensive cloud upon your face, not a word uttered upon the subject.
It was like that, two minutes every day, before I went to work at Joyce’s Groceries. Do you remember that? Joyce’s Groceries. I brought you home gummy bears every month, and you’d suck on one for hours, savoring each flavor and conserving those “saccharine pieces of heaven,” you called them. Saccharine. My goodness, you were a unique brother.

Since then, you grew taller and stronger, from a lanky, skinny, dreamy boy of fifteen to a towering, lean young man of nineteen. You were full of ambition, charisma, and will, and you were long past your boyhood dreams or ponderings. But you were still thoughtful in a way not many were.
When you came up to me that day and told me about your decision, I knew it’d be the last time I’d see you. It broke my heart to hear you say it.
You were growing older, and you had dreams and ambitions, you told me. You wanted to do something worth it, you wanted to make a difference. You wanted to join the military. Fight for our country.
I had no idea what to say, then. I felt horrible, and I didn’t want you to go. I was getting older, too, and I wasn’t ready for loneliness. But I couldn’t say anything. You were so avid for change, for action. I had to let you go.
You left the following week, off to the war. War was a vile word for me. It took our father away and broke our mother. It breaks my heart to lose another to a war.

That was three years ago. I have been waiting, dreaming, killing nightmares, and writing letters. At this point, I don’t know who you are, just a faded memory of a smiling mass of pimples, just as the camera caught you in the frames that still collect dust on top of the piano. I only think of that young Ben who smiled so often, who joked around with me, fixed the car for me. I presume you must be tall and muscular, rough and stiff. A soldier.
I often sat by the window right after you left, where you used to sit, sinking into the couch that so often had made way for your weight. I sat there, looking out to the other side, looking at the woman walk to her car, every morning. It was my way of remembering you.
She moved out a month later.
Another man moved in, but I never went to greet him. I decided that I would follow your motive, whatever it was and whatever it meant. I still didn’t understand you, but I felt I had to honor your mystic wisdom. I had no idea what I was doing.
But as I began to grow lonely and days passed since you last closed the door, my heart began to wrap its wisps of fingers around your concept, your meaning. I finally understood what you meant. Sitting at that corner of the couch soon became a small part of the day that I looked forward to, seeing the man wave good-bye to his wife at the door, entering his car, and driving away. It gave me a nice, warm feeling.
I began to understand your concept of distant love. It wasn’t love as I often thought love was—not the passionate love between a couple, nor the unconditional love stringing a family together. It wasn’t any sort of love I had ever heard of, but for some reason, it felt like the right word. Love.
It was just that little piece of the day that was constant, that was routine, that I’d look out the window just to see him leave, and then continue on with eating my breakfast. Two minutes.
I never knew his name, his background, his family, nor his profession. I could only wonder, and it amused me greatly to just think of the possible jobs he could hold, at a farm, at a company, at a construction site. It wasn’t something I forced myself to do, but rather, out of natural curiosity that I began to speculate and create his name or his background.
I saw the ups and downs, the smiles and waves, sometimes a quiet shut of the door and solitary leaving of the house, and sometimes the family outing. It didn’t strike me as particularly strange as I thought you were back then when you sat at the window every day. It was a mild sort of amusement, thinking about how strange it would be to meet him after having assumed his name and personality for weeks, and later on, months.

I am your sister, Ben. Your only living relative. It may be strange to hear of this, but you will be coming home. I will greet you. You might not know me, and perhaps I might not know you, but your heart is still the same, and I believe that nothing else should matter.
Ben, you were nearly killed in a bombing. You were one of many soldiers who were injured, and you lost your left arm. I know you know this much so far, because you have been in the hospital for so long. But there is one thing that nobody there could have told you. You also lost me. Your memories back at home. You might not remember them, but I will bring them back to you. I have been holding those snippets of emotion and remembrance in a locked chest. I’ll get ready to pull them back out again.
You may not be able to rush into my arms and tell me everything you’ve been through, but your past life is not dead and certainly not forgotten. I have cherished and enjoyed those nineteen years you were my sweet little brother, Ben. When I see you again, I’ll talk to you, and I’ll tell you more stories about your wit and your silliness and your aloof personality. I can tell you about the new neighbor, and how I realized the distant love.
I may be a stranger to you now, and you to me, but I still remember who you were, and I will stick to the small things you’ve taught me.
http://thewritingdatabase.files.wordpress.com/2013/10/distant-love-v7.pdf

Happy writing!
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