Archive for 7/1/13

An end, finally! ..and some Ponderings

Whew! I finished American Gods by Neil Gaiman. To-day. Ahh, I’m finally released from the world of Shadow and Wednesday… Not that it was a bad book. But goodness, that book was long! Perhaps it was because I read slowly, or scarcely. I don’t know. But it’s held me chained to it for two weeks, and now I’m free. Maybe that means that subconsciously, I didn’t really enjoy it much, seeing that I’ve used the verb ‘chained’ to describe my tied-ness to the book. Who knows. My consciousness doesn’t find it that bad, though.

Anyhow. That’s that. But the main reason I’m posting, is because I’ve been thinking.

I was thinking…about adding a new feature to this blog. I know not many read it--really, it's mostly for myself. This new feature. But I thought I ought to organize these thoughts and ponderings on a nice post, partly because I haven’t posted in a while, and partly because I finished American Gods, and I felt obliged to post something about it but I didn’t think that I could fill a good, lengthy post just about American Gods at the moment (because I’m planning to save a fully American Gods-dedicated post for later).

A while ago, and I mean a while--this is going back to when I was in sixth or seventh grade--I emailed a favorite author of mine--Lois Lowry. I told her about how she was my favorite author, her books, my writing, blah blah. (Don't worry; I kept it concise--don't want to tie an author to a fan-email for too long..)
Thinking back on it, I asked myself--why don't I do that now? I mean, we all read books, we all have favorite authors, and we all get that Slam! Didn't see that coming, did you? sort of books that change our lives, whether it's a millimeter or a meter. So why not ask the author? For real?

For some reason, to me, asking or contacting the author who created the book was some sort of sacred thing that I should never do (God knows how I urged myself to contact Lois Lowry). Because a book was a book. Period. There was nothing to it. It existed in its own world, inside its own bubble, and it would stay there. I could visit that bubble and indulge myself into the soapiness of the story, but it would always and forever remain utterly separated from the cold, outside world. To somehow string reality and fiction together was some unspoken horror to me. And it’s only now that I have actually defined this feeling into words on paper. (Yeah, I know. Words on screen. But paper sounds better.)

Even now, though, I still have the remnants of that book-and-reality-stay-apart feeling. It just disappoints me, sometimes, to think that people as flawed as me are writing these flawless stories that subtly shape my life and my morals. I guess it’s just me. But perhaps others feel this secretly, as well. I don’t know. But anyways, I didn’t like to think the people in the book as mere fictional characters designed and created by the author, that they weren’t real, that they weren’t flesh and bone. That an author would be like, “Oh, yeah, Harry? Yeah, I made him. He’s in my book. Nowhere else, though.” I… I don’t know. It’s a difficult feeling to describe.

What also disappoints me sometimes is when authors write a book and they didn’t intentionally put a ‘secret meaning’ into it, yet it would instill such great concepts and philosophies in the minds of readers. Me.
When an author says, “What a reader gets out of a book isn’t exactly what the author puts into it,” it somehow chips off a little piece of my heart. I have no idea why, but I get that sad feeling all the same. I know it makes perfectly sense, and that this happens all the time. And it’s completely acceptable. But all the same, it disappoints me to think that this great meaning that I thought I learned from this great author—was just me—makes me feel so alone. And… lonely.

But yeah, that’s a reader’s point of view. One out of a hundred. A thousand. A million.

 

To get back to the point, I was talking about my new feature. So although I’ve quite often thought against it, I’ve decided to try a new ‘Thing’ on my blog.

Drumroll, please.

[Drum rolls]

Author Q&A’s!

[Trumpets blowing twice with the rhythm of ‘Ta-da!’]
[Colorful rainbow confetti explodes from nowhere]

I would ask an author every month (because I feel like if I did every week, I would run out real soon) 10 questions (or less, I don’t know). Of course, first I’d email them to get their consent or to warn them or whatever, and if they reply with a ‘Yes,’ then I’ll reply with the ten questions. Perhaps I’ll get those ten questions myself. Or maybe I’ll get them from blog-readers (which I doubt there are many). And it won’t be any old authors. It’d be authors that I really like, that I pick. Whose books I’ve read much of. Perhaps I’ll take suggestions when I run out of authors. But not now.

I’m so excited!

Because while at the same time, I have that godly feeling towards authors—that they’re not humans but essences, no matter how much I know that they’re the same sort of people who yell at their siblings and slam on the alarm clock and spill coffee—at the same time, I still feel this excited-ness of knowing that I’m actually contacting the person who created my favorite book, one on one! That I’m actually talking to them, and they’re replying to me and nobody else (per se, I mean, I guess it’s also to those who read this blog, but you know..). It’s so awesome!

 

…Lookatme. I’m getting all excited again. I do this often. I think about a plan that I’ve made, and I freak out over it, obsess over it, and get all excited. Of course the feeling dies down after a few days of having thought incessantly about it with this level of intensity I will never reach when doing homework. Sometimes I realize the unrealistic-ness of it. Sometimes I realize it’s just another plan of mine, nothing too special about it. Usually it’s the first of the two. Hah.

 

But really, I’m actually planning this. Author Q&A’s! But I want to name it something eccentric. Something different. Not boring ol’ Author Q&A’s. It sounds like some name of a boring educational TV show. Welcome to Author Q&A’s, on every Wednesday at 5. Today we will be interviewing the world renowned author of…

So yeah.

asdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjlasdfghjklasdfghjklasdfghjklasdfghjklasdfhjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklsadfghjklasdfghjklasdfghjklasdfghjklsadfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklsadfghjklasdfghkjlasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdfghjklasdghjklasdfghjklasdfgh

I thought that I’d show you this nice piece of my post. It’s me staring blankly at the screen and typing out each letter in the second row of my keyboard (fourth, technically, counting the Function keys and the numbers) to a nice rhythm that I created. Ba-ra-rump-bap-ba-ra-rump-bap.

(I do this a lot, and usually I delete the jumble of meaningless letters, but I thought to myself—why not? Why not just publish it along with my post? So I did. I left it there. It' looks quite out of place, doesn’t it.)

 

Yes. And that is all. Expect another post coming up soon (about American Gods)!

 

Au revoir. Et bonne lecture. (Et l'écriture.)

Distant Love—FINALLY!

Yes. Finally. I’ve been revising, re-editing, re-writing, and re-organizing this little snippet for quite a while. And wallah! Here I am. I have “Distant Love” written by none other than moi.
This is the short story I was referring to from my previous post. So I thought, why don’t I tidy it up a bit for this blog? Not that many people will see it, but just to see it published.
Here it is. Prepare yourselves.


Distant Love
 

June 20, 1967
Ben Eade

“I think I’m in love.”
Your face was pressed against the window, your nose smearing the glass and your fingers drawing little lines of maple syrup as you followed something moving outside.
“I think I’m in love.”
“What? You’re only fifteen,” I remember saying while laying the slightly burned pancakes on your plate. “Fifteen is when you go outside and play basketball. Fifteen is when you find your interests and passions. Fifteen isn’t when you find true love.”
You didn’t reply. You just looked out the window wistfully. Or so I imagined. I could only guess your expression.
“Besides,” I added. “Time for breakfast!”

“We have new neighbors,” you were saying in between cushioned chews as you stuffed your mouth with countless layers of pancakes and syrup. “Neighbor, at least. Did you know that?”
“Yeah,” I said. “Remember? Their moving van came yesterday. I didn’t get a chance to say hi yet.”
“Don’t.”
You said that so naturally, like it wasn’t nothing, with an invisible shrug. Just a comment. Don’t. You continued to stuff more pancakes into your mouth.
“What?” I said, pausing my fork in mid-air. “Why?”
“Because,” you said like it was obvious. “We need to keep a distance.”
“What?” I repeated. “What do you mean, ‘we need to keep a distance’? Shouldn’t we be going over to say ‘hi’ to them, for courtesy? For manners? To welcome them into the neighborhood? There’s not much people here, anyways.”
You stayed quiet and continued to eat, leaving me slightly confused with your strange reply.
“Did you meet them already?”
You shrugged. “Well, if you’re going to say hi, then don’t take me with you or don’t invite her over. And don’t tell me anything about her. Not even her personality or what she looks like. I want to keep it remote.”
I looked at you curiously when you said that. “Huh? Remote?”
You shrugged and didn’t explain any further. But I couldn’t argue. You were usually like that. You would probably explain later. I just stared at you reaching for the last pancake and folding it into a ball of bread. You dipped it into the remaining droplets of syrup so that you could wrap your mouth around it, staring me back all the while. Then you just left the table.

The next day, you went straight for the window right after I woke you up. I had to go through all sorts of exercises such as singing, pulling your blanket away, turning the lights on and off and making siren noises. I even had to put ice on your eyelids once. You were a deep sleeper. Maybe you still are.
I sighed and laughed at the same time, seeing you with your confused hair sticking out in opposing directions, dragging your feet to the window, rubbing your eyes like one of those lost toddlers.
You were at the window again, leaning on the couch, which was leaning against the wall right under the window. You kneeled on the sofa, your chest leaning on the leather, your hands tucked under your face, perched atop the windowsill, looking out.

You finally explained your strangeness the following day, while we were eating lunch. It was my day off, because it was Labor Day. I had decided to make a massive ham sandwich with avocadoes. You loved avocadoes.
“You know our neighbor?” you asked me.
“Yes. I met her yesterday at—”
“No.” You said that urgently, slightly lowering the sandwich from your face level, giving room for your eyes to glare into mine. “Don’t tell me.”
I grinned. “What, you don’t want me to tell you about her?”
“Yes.” You were dead solemn, face straight and unbroken. “She is my distant love.”
I laughed out loud. “Distant love? Oh, you’re so strange! You haven’t even met her? How do you know you love her?”
“Because.” You went back to taking a chomp out of the sandwich.
I had plastered a half-amused smirk across my face, but quite frankly, I was probably very confused.
“She is my distant love.”
“Does she know this?” I asked, still amused. I was expecting you to burst into laughter and admit your lame act. You didn’t.
“Nope. That’s why it’s distant.”
“What is distant love?” I asked, playing along to a game I later realized only I was playing.
“Love is weird. One minute, you love somebody, and as time passes, you get used to them. You might even hate them.”
You were staring at your sandwich thoughtfully.
“Love… it can change. First, you love somebody. You don’t know them that well. So you assume things. You assume good things. But if you stay with somebody too long, you pick out the nooks and crannies, the little bitty details of the person that you wouldn’t have noticed at first sight. At first sight, you see the big things, like the good personality and the nice face. So you fall in love. But then you start noticing the tiny little spots, the little molds. And you think to yourself, maybe I don’t love this person anymore. Maybe I love somebody else. This person bothers me.”
There was a rich silence as you took a fierce bite out of your sandwich. You took your time. After a slow swallow, you resumed your little monologue.
“Or you have to accept the person. You have to accept and swallow the entire person. The good things and the bad things. And sometimes it’s hard to accept. Sometimes you can’t do it. Sometimes you’re annoyed.”
You were immersed in staring at the piece of ham on the plate. You were talking to the ham, your eyes unfocused and in a trance.
“So if I kept seeing her at a distance, I’ll love her mildly, I’ll love her for who I think she is, and I’ll come up with a nice background for her, a nice name, a good age, and a befitting personality. A be-fit-ing personality. I’ll assume things like people do at first impressions. But it’ll always stay that way.”
You took a deep breath.
“It’s not love, really. Not the sort of love that everybody else talks about, what everybody else thinks it is. It’s not the love where you want to marry somebody, or you want to kiss them, or any sort of affection like that. It’s a different sort of love. It’s the beauty of the daily routine, that it passes by every day, no matter how angry you are, no matter what you’re wearing, whether you’ve woken up to see it or not. It’s something you admiringly observe. It kind of shows how the earth keeps spinning and life goes on, whether you like it or not, whether you’re dressed up or happy or ready or not. I could have looked outside the window to see a bird perch on the tree every single day and say the same thing, that I’m in love. But I’m not, because there is no bird that perches on our tree every day. But that person walks past every morning. The same person, in the same car, with the same expression, to the same place.”
It took me a while to realize that you had stopped talking. You were finishing your sandwich, letting the silence hang in the air. It gave me a strange feeling.
You looked up and stared at me, proudly, swallowing the last bit of lunch.
I didn’t understand you then. I couldn’t understand your motive, why you were doing this, what you meant, or what you were even saying. I realize now that you were much more thoughtful than I was, though at the time I thought I was more mature and wise. I thought you were a little adolescent, whining and coming up with stories.

Every day after that, you were at the window. It even came to the point that I didn’t have to wake you up anymore. You would be right at your designated spot every morning as I walked out of the kitchen with breakfast in hand. You always sat there, at that same spot on the sofa, leaning against that same square of leather, hands on sill, chin on hands, looking out the window to the woman whom you did not know. Every day through that spotted, old window of ours. Like she meant something important, something you had to make sure was there, every day. It was very peculiar to me, and I began to worry that I should stop you from looking outside, dreaming and wondering unlike other restless fifteen year olds who were often in fights or playing basketball or playing war games.
“Her name is Jennifer,” you said one morning. I remember that morning, I made French toast for breakfast. I was getting the brown sugar out.
I guess the promise still holds now, even though it might not mean much to you at this point. I still can’t tell you her real name or what her real job is. It still makes me laugh, comparing your idea of the woman and the truth.
“Jennifer Chadden. She is twenty seven years old. She’s engaged to another man, but he’s a busy worker in New York. She used to live with him, but she got sick of the noise and chaos in the city, so she came here, to the perfect place. The middle of nowhere.”
I laughed. “How are you in love with somebody who’s engaged?”
“I said, it’s not that kind of love.”
I still didn’t understand you.
“She’s a lawyer’s assistant. Do they exist? Lawyer’s assistants?”
I shrugged. “Probably.”
“She lives alone in that house, and every day she takes her car and drives out to the city to work. She likes doing that. She listens to classical music on the way. Beethoven. Bay-toe-ven. And Mozart. Moht-sart.
“She’s a kind and smart person. She’s eager and lively, and she can be charismatic when she has passion in what she does. She smiles often. And when she’s with her friends, she laughs a lot.” You closed your eyes to pray before the meal, and then opened them again, smiling, reaching for a French toast lying limp and soggy on your plate.
You didn’t say a word after that. Days and days afterwards, you would look out the window, with a pensive cloud upon your face, not a word uttered upon the subject.
It was like that, two minutes every day, before I went to work at Joyce’s Groceries. Do you remember that? Joyce’s Groceries. I brought you home gummy bears every month, and you’d suck on one for hours, savoring each flavor and conserving those “saccharine pieces of heaven,” you called them. Saccharine. My goodness, you were a unique brother.

Since then, you grew taller and stronger, from a lanky, skinny, dreamy boy of fifteen to a towering, lean young man of nineteen. You were full of ambition, charisma, and will, and you were long past your boyhood dreams or ponderings. But you were still thoughtful in a way not many were.
When you came up to me that day and told me about your decision, I knew it’d be the last time I’d see you. It broke my heart to hear you say it.
You were growing older, and you had dreams and ambitions, you told me. You wanted to do something worth it, you wanted to make a difference. You wanted to join the military. Fight for our country.
I had no idea what to say, then. I felt horrible, and I didn’t want you to go. I was getting older, too, and I wasn’t ready for loneliness. But I couldn’t say anything. You were so avid for change, for action. I had to let you go.
You left the following week, off to the war. War was a vile word for me. It took our father away and broke our mother. It breaks my heart to lose another to a war.

That was three years ago. I have been waiting, dreaming, killing nightmares, and writing letters. At this point, I don’t know who you are, just a faded memory of a smiling mass of pimples, just as the camera caught you in the frames that still collect dust on top of the piano. I only think of that young Ben who smiled so often, who joked around with me, fixed the car for me. I presume you must be tall and muscular, rough and stiff. A soldier.
I often sat by the window right after you left, where you used to sit, sinking into the couch that so often had made way for your weight. I sat there, looking out to the other side, looking at the woman walk to her car, every morning. It was my way of remembering you.
She moved out a month later.
Another man moved in, but I never went to greet him. I decided that I would follow your motive, whatever it was and whatever it meant. I still didn’t understand you, but I felt I had to honor your mystic wisdom. I had no idea what I was doing.
But as I began to grow lonely and days passed since you last closed the door, my heart began to wrap its wisps of fingers around your concept, your meaning. I finally understood what you meant. Sitting at that corner of the couch soon became a small part of the day that I looked forward to, seeing the man wave good-bye to his wife at the door, entering his car, and driving away. It gave me a nice, warm feeling.
I began to understand your concept of distant love. It wasn’t love as I often thought love was—not the passionate love between a couple, nor the unconditional love stringing a family together. It wasn’t any sort of love I had ever heard of, but for some reason, it felt like the right word. Love.
It was just that little piece of the day that was constant, that was routine, that I’d look out the window just to see him leave, and then continue on with eating my breakfast. Two minutes.
I never knew his name, his background, his family, nor his profession. I could only wonder, and it amused me greatly to just think of the possible jobs he could hold, at a farm, at a company, at a construction site. It wasn’t something I forced myself to do, but rather, out of natural curiosity that I began to speculate and create his name or his background.
I saw the ups and downs, the smiles and waves, sometimes a quiet shut of the door and solitary leaving of the house, and sometimes the family outing. It didn’t strike me as particularly strange as I thought you were back then when you sat at the window every day. It was a mild sort of amusement, thinking about how strange it would be to meet him after having assumed his name and personality for weeks, and later on, months.

I am your sister, Ben. Your only living relative. It may be strange to hear of this, but you will be coming home. I will greet you. You might not know me, and perhaps I might not know you, but your heart is still the same, and I believe that nothing else should matter.
Ben, you were nearly killed in a bombing. You were one of many soldiers who were injured, and you lost your left arm. I know you know this much so far, because you have been in the hospital for so long. But there is one thing that nobody there could have told you. You also lost me. Your memories back at home. You might not remember them, but I will bring them back to you. I have been holding those snippets of emotion and remembrance in a locked chest. I’ll get ready to pull them back out again.
You may not be able to rush into my arms and tell me everything you’ve been through, but your past life is not dead and certainly not forgotten. I have cherished and enjoyed those nineteen years you were my sweet little brother, Ben. When I see you again, I’ll talk to you, and I’ll tell you more stories about your wit and your silliness and your aloof personality. I can tell you about the new neighbor, and how I realized the distant love.
I may be a stranger to you now, and you to me, but I still remember who you were, and I will stick to the small things you’ve taught me.
http://thewritingdatabase.files.wordpress.com/2013/10/distant-love-v7.pdf

Happy writing!
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Paper Towns

Okay. So I know. It’s a pretty quick post, considering I posted yesterday. It took me six hours to finish this book. Versus the practically two week long trek I took reading “The Book Thief” (due to my spotted schedule of reading those two weeks). Then again, I came home from the library and sat down on the couch and read the book (the book, referring to “Paper Towns”) straight until I finished, half because I was determined to move on to another book, half because I wanted to earn money (long story—basically I’m employed at a dollar an hour).
Paper Towns was basically one of those “I’m young and reckless” sort of books, with a bit of 'lessons' and 'morals' sewn in between. Kind of like the "Christopher Creed" book (I don't quite feel like remembering the title, or now that I do remember, typing it), though I liked the "Christopher Creed" book a lot more. It gave me a powerful message.

Books are often rated with the misconception that you are rating the general “good-ness” of the book. I believe that it is best fit that we should rate books on how we liked them rather than the general level or “good-ness” of it. Because then we think that we are great beings that have the right and power to look at a book objectively and rate it that way, when in truth, nobody can rate things objectively. It is humanly impossible. And I mean humanly in every way it can be interpreted.
So while Paper Towns may be a ‘high quality’ book or a ‘high level’ book, as in, it was written well and it appealed to the right audience, it had a strong tone and a nice plot—I am rating it regardless. I am rating it purely on how I enjoyed reading it.
This segues nice into my next element of this post…


3 out of 5

Paper Towns.
By John Green.
(NERDFIGHTERS! :D)

One word to describe the book: Expectations
One sentence to describe the book: The people you know may not be the people they really are; the person you are may not be the person you think you are.
One quote to sum up the entire book:
“ ‘You know your problem, Quentin? You keep expecting people not to be themselves. I mean, I could hate you for being massively unpunctual and for never being interested in anything other than Margo Roth Spiegelman […] –but I don’t give a shit, man, because you’re you. […] Just saying: stop thinking Ben should be you, and he needs to stop thinking you should be him, and y’all just chill the hell out.’ ”
--John Green, Paper Towns
Okay, I admit it. There were a few profane words in there, but hey, it’s a quote. I didn’t say it, Radar did. (Who, by the way, would be a great friend if he were real. If he were real. Sigh.)
If you could decipher the meaning (or at least the nuance) of the quote in between the ellipses and brackets and all, you should have noticed that the basic message of Radar (the character who is saying this quote) is that people think of others the way they think they are. But in reality, the “person I think you are” and the “person you really are” are two different people. And quite often, ‘the person you think your friends or family are’ turns out to reflect you more than it reflects the real ‘them.’ This is what I believe is the crux of the story, or, in this case, the message that John Green is trying to feebly toss from the pages.

And finally the actual summary of the book:
Quentin Jacobsen has loved Margo Roth Spiegelman ever since they were neighbors. From the beginning, her daring personality, her bravery, and her—pure awesomeness—never ceased to amaze him. The problem was, as they grew up, Margo flocked in with the cheerleaders and jocks, and Q became the Grammarian and sarcastic nerd. They’re still neighbors now, and it’s senior year of high school. Q never ceases to try to get glimpses of Margo at school whenever possible, and he is still hopelessly in love. Margo is known for her awesomeness, her strange stories, and mysterious disappearances. She is almost a legend, having run away from home to campaign TPing houses, to fleeing off to Mississippi and leaving only an ambiguous clue by eating all but the letters “MISP” in her alphabet soup. Then one day, when Margo climbs into Q’s room through his bedroom window, he is amazed, flattered, and utterly scared. But when she asks him to borrow his car and assist her on “righting a few wrongs,” he obliges before he can think twice about the consequences. After the mysterious night of adventures with the mysterious Margo, she disappears from the town, leaving clues that Q is sure were left for him. Having fallen even deeper into love with Margo’s strange but unique personality, he decides to go off on a reckless, twisted, crazy, yet awesome adventure to find his Margo—or at least the Margo that he thinks she is.



From This Point On,
Only People Who Have Read The Book
Are Allowed To Read This:


John Green talked about a few things in the book to us. One, obviously, is the expectations or rather, ideas, we have of others. I think that you are a nice, bubbly person, when in fact you are a quiet, contemplative person who doesn’t like to speak. Or perhaps I think you are very reserved and shy, when in fact you are full of creative ideas and passionate about spreading them. And when you start cross-referencing the “idea of someone” from different people’s points of view, you start getting an idea of not the person, but rather the people who are creating an idea of that person. For example, Lacey might think that Margo is a bubbly, outgoing person, while Q thinks that she is mysterious and beautiful. Ben thinks that she wants the world to think she’s in the middle and that she’s hiding back in Orlando. It all reflects them rather than Margo herself.
On that note, here is a nice quote that explains this. The wise words of Radar:
“ ‘I never knew you [Margo] until I got to know you through your clues,’ he says. ‘I like the clues more than I like you.’ ”
--John Green, Paper Towns

Another point that John Green is trying to say is the beauty of leaving. Or rather, the feeling of leaving. That sweet feeling you get when you leave, when you want to bid good-bye to a place that meant so much to you, and never come back.
…though I am only saying this through the words of John Green, because I have no idea what that feels like. To have the urge to leave a place that meant so much to you. Unfortunately, I’m not at that stage of life yet. I don’t think I’ve ever felt like leaving a place that meant a lot to me. Perhaps I’m being shallow. Perhaps I’m not. I have no idea.

He also drops in a metaphor of life. Grass. That we’re all interconnected, we’re linked to each other, but in the end, we not exactly are each other.

Additionally, he mentions in the beginning of the book, through Margo’s words, the ‘conventional way of life’ and how boring it just might be. School, college, job, marriage, family, money, kids, kids to school, kids to college, kids to job, kids to marriage, etc. etc. until we die. She (Margo)’s saying that we should carpe that diem and stop living for the future and start living for the now. It’s a good point, yes, and often, I get these urges to ditch school, abandon all conventional ways of living, and run off into the forest with a stick and a rock with leaves as my garments.

...metaphorically, I mean. Not literally.



I also have this certain quote that I really liked from the book. It was something I had thought about a lot and concluded myself quite a while ago (I actually wrote a short story related to this, it was one of those story ideas that came to my head on the bus once. I was blessed to have my phone with me, so I jotted it down before it evaporated away), and I was so happy to see it written in a book (though there’s thousands of other books out there with similar quotes, many which I probably have read already):
“ ‘I always thought Lacey was so hot and so awesome and so cool, but now when it actually comes to being with her, its not the exact same. People are different when you can smell them up close, you know? […] It’s easy to like someone from a distance. But when she stopped being this amazing unattainable thing or whatever, and started being, like, just a regular girl with a weird relationship with food and frequent crankiness who’s kinda bossy—then I had to basically start liking a whole different person.’ “
--John Green, Paper Towns

I am currently editing my story which is themed around ‘beauty from a distance’ and that things are beautiful when they’re farther away, and the blemishes come to light when you’re up close. It’s one of the few story ideas that I found somewhere far from home that actually made it onto paper (or computer, rather).

So yeah.
Paper Towns was an a-okay book. A three out of five. I liked it. Eh.


Probably going to read a story or two from Mr. Edgar Allan Poe or plunge into some Sigmund Freud next—I went to the library today.
(And I got a free bookmark!! I love libraries. They give you free books AND free bookmarks. Thank you, librarians of this world. You make life more livable.)
(For that matter, I thank all humans, for having a soul and a mind and being able to use that as a vehicle to create art. All art. Writing included.)
(Let’s forget about the terrible imperfections and impurities that we have poisoned in those same souls.)



Happy reading
      (and writing)!

The Book Thief

I finished The Book Thief yesterday, and I was hit with this wind of sadness. So I kinda found salt water on my face after finishing the book. I usually don't excrete salt water through my eyes from reading books or watching movies, but this thing practically forced them out.

5 out of 5

The Book Thief.
By Markus Zusak.

One word to describe it: Words
One phrase to describe it: The Power of Words

During World War II, a time of difficulty, suffering, and hardships, a German girl, Liesel, lives with her foster parents in a small German town. She tries to figure out between right and wrong in the Fuhrer (Hitler), assists her family in sustaining a barely livable life, and even in the meantime, makes friends with Rudy, her soon-to-be partner in crime. As Liesel learns to read after being humiliated by her classmates, she begins to realize the power of words and the great stories they can tell. She falls in love with books and soon finds a hobby of not just reading them, but stealing them. Together, with Rudy, they steal books to apples, and scrape enough of a living to stay alive during the war. Liesel's life changes as she soon meets a man named Max Vandenberg, a Jewish friend who comes to hide in her house. Liesel and her family experience the terror of guilt and the fury of righteousness. She learns from Max the power of creating words, which in the end, saves her life.

This is a gross and very cluttered summary, but really, it's a great book that everybody should read. I tried my best not to ruin it.

Main characters:
Liesel
Max
Frau Hermann
Hans and Rosa Hubermann
Rudy

I want to write things about the ending. So if you have not read it or finished it already, DON'T.
Although the book does have this really annoying way of telling you the ending before it actually happens. The chapter starts with "blah blah this is going to happen." And then two chapters later it does, and you're totally angry that the book ruined it. But then again, it's the book that told you what would happen in that same book. You can't say anything. You couldn't have stopped it. Eh.

So.

WARNING. SPOILER ALERT.
***
***


If that wasn't a big enough warning, I don't know what is. At this point, anybody reading this should have finished the book. Because it's a pretty big blow.

What blow, you ask? Then stop reading.

...

I can't believe everybody died. I'm sure that Zusak did this to give us a tiny sliver of a feeling of what it's like to lose people in a war. But--how cruel! How sad! How... heart-prickling. Only Liesel to live? And what made me even more sad and upset was that everybody was all peacefully lying in bed, sleeping, knowing nothing, unaware, living their lives on, as the bomb quietly lifted their souls away. I don't know. The fact that they were all sleeping and peaceful as a chaotic bomb came down and tore their limbs apart was just. too. much.
(Basically emergency dial to tear ducts.)
What also tore my heart was the death of Rudy. Actually, all of the individual deaths, if you think about it, tore my heart. Rudy was because she secretly loved him (and he openly loved her, hah), and she never got to kiss him, which is funny and sad at the same time. I love how Rudy would always say, "How about a kiss, Saumensch?" I wish Rudy was a real person. He'd be an awesome friend. Liesel would be the strong willed, righteous kind. Rudy would be funny and determined. Ah... one of those reoccuring moments where I long for fictitious characters to be real humans...

Max's book, "The Word Shaker," was, to my opinion, the nub of the book. It really represented the message, I think, and it was also very cryptic. Obviously he was talking about Hitler, Liesel, and Max (even the book reveals that), and how Hitler's powerful words were handed out to the willing people, and the word shakers would climb the trees to pick the words off the trees and hand them down to the people... I guess the point is that anybody can be a word shaker. Anybody can plant a tree. But we have to stand by it, we have to stay up in that tree, or it will fall down. Stay with your words and nobody can chop them down.
Hitler's words planted hope in some and killed others. Liesel's words planted hope in some and also saved her life. Our words can do the same.

I have no idea what I just wrote.
(maybe I might, actually)

I guess anybody can interpret books differently, and it's really up to the reader, so that was my little analyzation of the book, which was put under the spoiler section for some reason. Whatever.

---------------

I want to read now.
So bye.


Happy Reading!
I'm probably going to read "Paper Towns" by John Green next. Or "American Gods".

Huzzah!

Huzzah, indeed! As you can tell, I have a new menu on the blog, up-and-working!
My father does stuff with programming (not only, though. Other stuff, too.), so he knows a bunch of languages (programming languages, not the actual English Spanish Korean sort) and also knows mark up language stuff, so he fixed my dropdown menu (which was not functioning well) and WALLAH!
I'm so happeh. Of course, it'll be a little inconvenient having to edit the menu every time I make a new page, but thankfully I know bits and pieces of html.

So yes. It works now. I have a working drop-down menu! So happy. :D

Must go. G'bye.

Some Furnishings

Hey guys! I'm here (again, heh--more often than I usually am, due to the massive amount of time I have heaped upon my hands), and I have some updates to announce.

I made a Google+ page!

Yeah, I know. It's not like too many people are following this blog.

But anyways, it was fun making a page (pretty much filling in my information).
...
Sort of.

It's kind of cool to see my blog name and post under its name and whatnot! I'm kind of excited to inform my (1) followers on Google+ (that one, who is me. .-. ).

It's on the sidebar, if you'd like to follow. :D


ALSO.
I updated the sidebar with a new 'Current Read' feature, which I have been thinking of putting up on my blog for a while. You may have noticed that at first, I just put the title, but I saw on other reading blogs that they put the book cover, which I realized was a much better idea. It's more appealing, and it gives others a sense of what the book is like, what genre it is, etc. It's a little more informative and gives more context than dead text on the screen.

I also spent a considerable amount of my time attempting to make a drop-down menu for the UMPTEENTH time. And I mean umpteenth. Bajllionth. I've done this quite a lot. More than ten times. For the past year or so...!
Blogger does not agree with my CSS and HTMLs, so all I get is this strange menu with the sub-menus under it without need of hovering, and it gets all weird. At one point, today, I got it to appear only when hovered-on, but then every time you'd move your mouse down to click on the sub-menus, they'd disappear. It's aggravating, to say the least.
(If any of you know how to fix this, PLEASE HELP. I am dying. I've gone through hours of Google-ing.)

Anyhow, I have to go. Urgent call from Top Secret Mission (aka Dinner).

Happy reading!

i am sitting

Here I am, my butt bones perching at the rim of the wooden chair, crouching over, my feet on the chair next to me, my laptop atop a pile of books stacked at the table. The table, it's cluttered with books, all sorts of books. Math books, music books, library books, textbooks. It has pencils and pens, chapsticks and staplers, hole punchers and Shop Rite receipts. It reeks of home. Home, home, home. It is cluttered and messy, but it is not dirty. The yellow tablecloth is underlying the little pieces of memory, little pieces of home.
The house smells like the subtle aroma of dinner, of that dinner that makes us all running downstairs, upstairs, down the hallway, into the kitchen, when we smell the food and hear our mother shout at the top of her lungs, DINNER!
I hear my brother humming cheerfully, happily, downstairs in the basement, I hear the water running as my mother chases to wash the dishes, I hear the dishes clink and clank, greet each other and talk, I hear the tat-tat-tat of the rain outside. I hear it rise, I hear it stand up, I hear it roar. I hear the rain slapping our roof, hitting the side of our windows in line, throwing the occasional spear as it crashes onto our soil with a loud BOOM!, letting out yellow sparks and pushing dogs under beds and kids under covers.

I lean in to the screen, looking at the words, my eyes squinting at the letters, bigger now, but pixellated, looking at each letter appearing at every click of the keyboard, the silent, patient, blinking line that leads my letters to be typed on the page; I look at each square that displays a color, black and white, grey and red, orange and blue, forming together to make a picture on the screen, a word on the screen, making that 'e', even though, if you look at it close enough, press your nose close to the screen, you can see the little squares separating that 'e' into black pixels on their own, by themselves, separated into tiny cells of a computer screen. Then, I realize that this might not be good for my eyes, my eyes are throbbing, purple lights are dancing in front of me, and I lean back and look back at the yellow tablecloth under the textbooks and under the pencils, looking just as pixellated with the threads weaving to and fro to form that fabric that lies atop the table.
And then I sigh, and I close the laptop, and turn to good ol' ink and page, read and turn, open and close.