love, read, write

Hello all!

by O. Henry
So today, I read “The Social Triangle” by O. Henry, a short story about, well, a social triangle. Much like a love triangle, only instead of love of others, of respect of others’ social class. It is really an interesting point of view in things, and it does get many points across. I’m not an expert at analyzing literature and finding its deepest meanings, since I’m not much experienced in the world of Classics. But in fact, I will attempt to make some analytical statements because I think it might help me improve upon my currently ground-level skill.
This story is basically about three social classes. I don’t know how to identify it, but it seems like Ikey Snigglefritz is very low class. The next up the ladder is Billy McMahan, who is a relatively high class—he’s a politician and a leader, someone much looked up to by Snigglefritz. Then, there’s the super-rich, who is Cortlandt Van Duyckink, who is a “[M]an worth eighty millions, who inherited and held a sacred seat in the exclusive inner circle of society,” (O.Henry, 22). I personally like Duyckink the most and McMahan the least. I don’t know, it just annoys me that McMahan really values meeting Duyckink to the extent that he would try to get everyone to have liquor for free just because he feels the mood. Maybe I’m being really one-sided, and his spirits were uplifted, but for some reason, at a personal scale, it bothers me a teensy bit. Also, that people would look at him much more respectedly. But it’s not like I don’t like him because of that, but more like, I don’t like how people,  normal people, everyone (even me), would do that if we were in that situation. That our attitudes change from morose to ecstatic just with the shake of a hand. Obviously, there’s a lot more meaning in that one shake, but when you look at it generally, it’s pretty interesting how effective it can be to your mood.
I also think he sort of shook Duyckink’s hand because he wanted to shake his hand, not because he wanted to donate. This I think because it says McMahan made an “[A]udacious act of his life,” which wouldn’t be called audacious if the objective was not asking to fund the help-the-poor campaign Duyckink was holding, but to merely shake Duyckink’s hand.
Obviously, there’s a lot of loopholes and craters in this supposed “analyzation” of the text, but hey, it’s kind of my first time doing this alone. (Yeah, I know. I’m old, and how can I not have done this before, I know. Just…bear with me.)
I like Duyckink because of the obvious reason—because he reached out to the poor. And also, that his heart’s set in the right place, as O. Henry says that it was his sudden urge or instinct—oh, it was an impulse. But all the same, such actions don’t stem from the brain but from the heart, and that’s what makes me solidify my opinion about Duyckink. (That he’s not a jerk.) (Not that McMahan is a jerk.) (He’s not.)
The three characters have different reasons for shaking the others’ hand. First, Snigglefritz shakes McMahan’s hand out of honor, out of pure admiration. TMO, McMahan shakes Duyckink’s hand out of want of attention and recognition (maybe a teensy bit of helping the poor). Then, Duyckink shakes Snigglefritz’s hand out of sympathy and wanting to help. These three kind of tell me that when you’re in a low position, you look up enviously a lot. When you’re high, you realize your ‘power.’ But if you’re not at the highest, the pleasure of seeing those below you look up to you, and the pleasure of just the luxury, might make you want more. When you’re at the highest, or at lest, in Duyckink’s case, you kind of see the flaws in being rich, and you stop and think about how to use it, just because you have too much of it.
Of course, these three are applying to people whose moral standards, their way of living, and their general thoughts are on the more, let’s be obnoxiously general, “good” side. Because obviously, there are plenty of rich jerks who use their money and position for more and more power, and plenty of poor jerks who just give up and don’t give a flying French fry about what they’ll do with their life.
(…yeah that just made no sense, the last two paragraphs.)

Literary Terms:
They’re not terms, by the way. I’m just using a phrase we used back in seventh grade when we did this as a class. xD So I won’t be naming too many literary terms, fyi.
What I really noticed and liked was the repetition of “He had shaken the hand of _____.”
That sentence is what ends each of the three parts of the short story. And it kind of ties it together and subtly yet quite noticeably makes the point across of the Social Triangle.

I also like the repetition of the words “impulse,” “audacious,” and “royalty” when describing the sensation of bringing yourself up to shaking the other person’s hand, and also the flushing, overwhelming feeling of the achievement as you shake their hand. It ties their emotions together while slightly distinguishing them. I didn’t notice this immediately (perhaps with audacious I did, but not with impulse and royalty), but when you think about it (at least, when I did), you remember that subtle meaning kind of left a little mark in your head and distinguishably, yet subconsciously let you know that the three are inextricably bound and related.

Work Cited
O. Henry, . 41 Stories by O. Henry. 2nd ed. New York: New American Classics, 2007. Print.