Magic

I sit at the piano, and I feel the quiet around me, the silence filled with just that sound of keyboard, mouse clicks, and yes, me adjusting the piano bench. It's really quiet, so quiet, in fact, I can almost imagine myself hearing the crickets outside, the wind blowing, the footsteps from next door.
But when I place my hands on the keys, I feel a warmth rising in my body, and I look at the music, just plain black, white, dots, lines, and curves--to form one whole.
Music.
Of course, I'm not the sort of person to be able to play with music, throw it in the air, give it a little spin, sprinkle it around and take it all back in like one magic trick after another. I'm the sort of person who can't do that, but enjoy trying to.
And as I'm playing, I hear footsteps. It's not the imaginary next-door-neighbor footsteps. It's the real behind-me-watching-me-play footsteps.
So I pause, just for a split second, and continue.
When I finish, I look behind me, and there he is.
My Dad.
Ever since I said that I would Never, ever come home late after work ever in my life when I grow up, he has been coming home at ten o clock, at least. Maybe around 6 or 7 or 8, usually.
When in fact, he had been coming home at maybe around twelve or one in the morning before. It was a wonderful improvement on him being a father--a great one, in fact, proving that he was actually trying. And I appreciated it, I acknowledged it. I'd hear him wake up at four o clock in the morning, hear the front door swing open, creak shut, and imagine hearing the screeching tires and the engine roaring outside.
Before, I would always see him sleeping. That was what my father was--a sleeping figure under a blanket. In the morning, I'd see him as that figure. In the night, he would be in New York, working late, trying to keep our whole house on his back, without toppling, falling, or tripping. It's a hard task, I know. But sometimes, I wonder if every kid lives this life, worrying about their father, and seeing only his sleeping figure (besides the weekends, when it's the watching-TV-figure).
My father. A smart, intelligent, kind, sensitive, (maybe sometimes a bit arrogant) father. Who doesn't know what we think every day of him, of him going to work after we leave for school, coming home after we are long gone into dreamland.
On the weekends, we would watch TV. Why? That's what Dad likes--TV. And he would, furthermore, rant and give a diatribe that yes, we must do some sort of sport, because yes, we are short, and yes, we need to grow until we reach That Age Of Time when we cannot wish to grow any longer (taller, rather).
Unless, of course, he decides to go to the park. Which is very rare, yet exciting. A trip out of our house--all together as a family!
Usually it is just me, my brother, and my mother, as my mom struggles to turn on the GPS (No, Mom, the "G" is over there), type in the location, and follow it to the "Turn Right. In two hundred feet. Recalculating. Turn left. Recalculating. Reaching your destination. On left." Or maybe get lost in the road late at night, and stare wide eyed at the GPS recalculating things every other second.
So it is natural that I worry about my father, even after we realized he was 'diagnosed' with ____. And when I first heard that, I was terrified, worried, absolutely speechless to think that now my father was someone who needed extra care--more than before, at least.
And the older I grew, the more I became aware of family situations, The Bill, money, and most of all, my dad's work. I would see him typing away at his computer, sometimes late at night when I crawl downstairs to get the essay out of the printer, his headphones on, talking to one of his workers as he did some of his complicated, logical, technological work.
So, naturally, I began to understand what my parents were arguing about, and why my father was frowning all the time.
Yes, he frowned (and still is frowning) all the time.
I noticed this not too long ago, when I began to realize why he always looked so worried.

His forehead is always crinkled into that symmetric frown that was so familiar every day I would see him, and his eyes either squinted in a glare, maybe a slight twinkle, or that bored, I-am-doing-work face. But always that frown.
And if I ever ask him why he is frowning, his frown would deepen, and he would mutter, "No, what frown" and then reduce back to his normal frown.
So when he came upstairs from his little den of computers, papers, files, and wires (the basement), it was usually because of piano.

Whenever I play the piano, I would hear that creaking. After a while, I began anticipating that creaking from downstairs, that click of the doorknob, the swing of the door, and the footsteps and the wood creaking under his feet. And if I didn't hear it, I would put all the more effort into the piece, almost telling him to come. Because when he did come at that time, when I play piano, he would, as he does now, and sit behind me, on the couch.
Yes, in our piano corner, we have a couch, mainly because we have nowhere to put it, and it looks nice, and that you can sit and give pressure and stare down the person who is currently practicing piano.
But when my dad comes upstairs, I like it, because he never hears us play. Until recently, when he began coming home late. And I think I have explained that already, so no more need to say.

Today, it is different, because he looks so tired, dragging his feet on the floor almost, and hovering over my shoulder for a minute or two, looking at the dizzying music--white and black dots and lines!?!?--and then collapsing into the chair. Laying down on the long couch, and I would almost feel him behind me, even as we are many feet apart.
So I turn, pivot, actually, to face him, him lying down on the couch, foot at one end, head at the other, in that normal frown, and I would say, What would you like for me to play?
Because I feel nice today. (Hey that rhymes.)
So he laughs. That laugh, like the hah-you-really-just-said-that sort of laugh. So I wonder if I should really play for him, because it lessened my will to play for him. It's rare that I suggest such things, you should know.
But he begins to sing a song that I know, and I flip through the thick binder of for-fun played (self-learned) pieces, and being playing that song, pausing before starting, saying It's an Automatic IPod, where if You Sing the beginning of a Song You want Me to Play, then I Play it Automatically. And he laughs, which cues my start to play.
When I finish, I look back, and his frown is just a tad bit less.
So I play another piece, and it's a piece I didn't learn all yet, so I stop in the middle and shout out THE END, in embarrassment (why do I feel embarrassment in front of my own father, I don't know), and look back.
My dad looks at me and says in a creaky voice that I just Woke Up, haha...
So I turn back and begin playing another piece.
And another piece, and in the middle of that another piece, I hear snoring. So when I finish that another piece, I look back.
There is my father, feet at one end, head at the other, with a face with no symmetrical folds of skin, just him, and his relaxed face.
And for some reason, I feel pity, understanding, and sorrow, and wonder. Is this the face of my father when there is nothing heavy on his mind, just light happiness? Relaxed-ness? Is this the true face of my father? I feel sorrow, realizing that this face is less familiar than the frown that I see so often.
I play another piece, thinking that if I keep playing peaceful pieces, then he will remain peaceful, his mind will be peaceful for at least, these few minutes. No frown, no stress, no The Bill, no work. Just sleep, and music. And my heart fills up as I play one piece after another, pausing at each end just to look at my father snore, yet have that relaxed face.


I turn off the bathroom lights as I tiptoe to my piano (for whatever reason there is), and search for another piece to play, when my dad wakes up. I hear him groan and hear the sofa springs creak as he sits up, stands up, and goes back downstairs without a word, that frown on his face again.
It's just that slight frown, that normal frown that makes me so sad.
And I think, that was a moment of magic, when the world lined up obediently, and sat and waited for my dad, that one moment when I played music for him, instead of him having to line up obediently and hurry along with the world.

Annabeth Truce[2]

Saturday, June 25. Twelve days before the Incident.

We had only taken her home for little bits of time, so she could get used to the atmosphere.
At first, it had been one hour. Then, she stayed for a day.
And two days ago, she had stayed for two days.
Now, it would soon be time for her to move in.
As I thought about Annabeth, I began to remember my past.


As a child, I was neglected, and so was my sister, who was two years younger than me. Our parents would leave us in the house, and go out to parties, meetings, and dances whenever they were invited.
They left us in a little cramped apartment that needed serious cleaning and checkup for any heath threatening foods or animals.
Our parents seemed to forget we were there.
What made it worse, was, my sister had autism. It hurt my heart to hear my parents always rant, hit, yell at Rose, as I would just cry and tell them to stop.
One day, things just went just too far.
"Stop!" I cried.
"You stay out of this, Lily. It's not your fault Rose is an idiot."
"SHE HAS AUTISM1" I would roar, and Amanda would look at me, stare at my forehead with such intensity that she might bore holes through my forehead, and would glance over nervously at Dave, and then she'd look back at me.
"That's it."
First, it was a whisper.
We looked at Rose, who was looking at Amanda with hatred, fire raging hatred in her eyes.
"That's it!"
It was louder, now.
I took at step back.
"It's okay," I whispered, but I knew, just by the look on her face, that it would be no use.
"THAT'S IT!" Her voice did not come out clear and angry, but soggy, unclear, and angry, with a tint of sorrow, maybe a bit of misunderstanding and confusion. The mixed emotions of a confused child was put so accurately into those two words.
She screamed, shouting incomprehensible words, flailing around, her face distorted. I ran over to hug her, despite my own mother's dirty looks and my father's scared and nervous eyes.
"I love you, Kim," I said, whispering it into her ear, as I hugged her tightly so she could not move.
She hugged me so tight I couldn't breathe, and she replied, "I am proud of you."
I never knew where she had learned that. But she had always said that, every time I hugged her.
And somehow, she did make me proud, at that moment, whenever I took care of her, or at times later when I was sad remembering the days when Rose was my cheerful yet emotional sister.
Later, our parents disowned us, and we were put into an adoption center, with the little orphans, and we told everyone we were orphans, to the extent that we forgot our parents and often thought ourselves that we were orphans.

Deacdes later, there I was, at an orphanage, talking to a child with a rare mental disability.
"It can be dangerous," the ward had said. "She can be dangerous. She needs to visit the therapist nearly daily."
"I can handle it," I had said. Oh, if I had only known what disability it was. "My sister had autism, you know."
"Oh, I'm so sorry."
"You don't have to be." I forced a grim smile, as I walked into the 'Meeting Room', which was decorated with little pictures of children, drawings, and more pictures of what seemed like the perfect family.
"I am a girl," she had started. She spoke each word clearly, slowly, as if still understanding the letters, the meanings.
"I am ten and a half years old." She looked at Tom, who was, and is, my husband.
She looked at him for about five seconds until continuing her introduction. "My parents are dead." She looked at me now, cheerfully, as if she did not know the meaning.
"They died in a car accident." She looked at the table, probably looking at the intricate designs of the wood.
"They loved me."
I felt sad, and sympathetic.
"Hi, Annabeth," I said slowly, clearly, like I spoke to Rose. "I'm Lily. This is Tom," I said, gesturing to Tom. "We are here to meet you, so you can, maybe, become our daughter."
She sat there, tracing the lines of the artist who drew the little lines. She did this, for about five minutes.
Tom looked at me nervously, but I just smiled at him.
Annabeth was silently examining the lines of the table, following the lines of the little curves and circles. She seemed to have no idea why we were here, or if we were here at all.
Suddenly, she whispered something, murmured something we could not make out.
"Mindy," she whispered this time, barely audible.
"Mindy, I am proud of you." She murmured it to the table, and immediately, I felt a lump begin to rise in my throat, my eyes stinging with tears.
"Andy, I love you." She said to the table.

That had been our first meeting. We had sat there for nearly an hour, and she had refused to answer any questions, talk to us, or make any eye contact.
We did leave eventually. As I left the room, I looked back to see that young girl, the black strands of hair hanging over her face, as she pressed her cheek against the wood of the table.

When she did agree to become our daughter, it was very awkward. After all, she had a rare disease nobody had found a cure to.
And we didn't know much about it, either.
She had Somnium, which was a very dangerous disease.
I did not know how dangerous it was, until it was too late.
It didn't seem harmful, the way the explanation of the disease was basic: hallucination.
Her life was full of hallucinations.
So she was not able to understand reality as simply as we could. If I told her that this was an apple, and that you eat it, she would not understand. She would first ask why it is an apple.
Then she would ask why you would eat it,
then into the whole argument of why you do eat apples or food.
And she would ask why we needed energy to live,
then to the ultimate question that always ended our conversation--why we were alive, why we were living.
Through that, I learned a lot and thought a lot about the meaning of life, and such. I began to look at things in a different way, the way Annabeth would. It would be simple: her head was full of 'why's and 'how's, even for the most simplest things.
What I didn't know, however, was what really did go on in her head, and how potentially dangerous it would be, and, little did I know, fatal.

Annabeth Truce

Of course, I have no idea whether I'll continue this story or not, or whether I even like this story. But a thought came into my head, and I have decided to write the beginning of a story.
Just the beginning, for now. Maybe that's all it will be, a beginning, nothing more, nothing less, a forgotten beginning with no end.


It's too late for (your story here), but I'm going to write anyway, because there's no rule that keeps you from writing.

So here goes.


 PROLOGUE:
My mind is empty. No. My mind is full of anger, pure anger, sought for revevnge, avengement, something that is beyond words, expressions, feelings. I feel a radiant buzz and myself glowing, but I don't restrain myself, as I clench my already white fists, walking down the dissolving hallway.
It turns into a boardwalk, that familiar boardwalk-bridge that I'd always seen and walked through every day after school, that joyful boardwalk. But there's a different feeling to it. Everything is hazy, and faint, with slight vibrations shaking the air and atmosphere.
I clench my fists.
Everything I see, I hate. I hate that chair, I hate that floor, I hate that river, hate that fence, hate that water, hate myself.
I walk down the boardwalk, but it doesn't seem to end. It goes on, on, and on.
And suddenly, I am afraid. I run.
There is no end. And I look back. There is no beginning.
And slowly, the thought dawns on me: there was no beginning.
Far away, in front of me, I see a little figure, running in circles.
At sight of a human, I am so glad and grateful, for a moment, I forget my anger and grief and guilt.
I run, but as I get closer, I restrain myself from running and hugging it. Who is that person?
Why are they running in circles?
And as I move closer, I hear the person, who is laughing.
Why are they happy?
I move closer, feeling attracted by this laughter.
This familiar laughter.
Suddenly, the light changes, a sun appears out from behind the shadowed clouds, the haziness, the humid tense feeling disappears, and is replaced by joyfulness, and sounds fill the air almost immediately. But right before that almost immediately, when you can hear muffled sounds from other people, as if you're covering your ears, as the world turns bright and colorful, there is that moment. That moment when you hear just that laughing, clear, ringing through this space, this place I am at, as other noises are muffled and barely heard. And just like that, the moment passes.
There are people all around me, as I look around, the people seem to ignore me. But that girl, that girl spinning in circles--she has not disappeared along with that feeling.
She is still there. And now, she's running to me.
I look at her, with this weird familiar feeling, thinking, 'I've seen her somewhere. Seen her somewhere, Seen her somewhere...' repeating to myself, when she comes running into my arms.
"Annie! I missed you!"
Then it hits me.
I stagger back, astounded. Dumbfounded.
"No, you didn't." I say firmly.
She looks at me in this weird way, so I repeat it. "NO, you DIDN'T!" I scream now.
"YOU DIDN'T!"
Tears form in her eyes, the little sparkling marbles of sorrow rolling down her face, as she runs to her new mother, who is standing a few feet away.
I feel all eyes on me, now. Even the people who had ignored me before.
I'm on a roll.
"THIS IS A DREAM."
She hugged her mother's legs, sobbing.
"YOU'RE DEAD."
My throat is dry.
"AND I'M GOING TO KILL YOUR MURDERER."
Everyone seems to take a step back.
A woman comes to me, and hugs me.
"Anna, Please." She is pleading to me.
Why is she pleading to me?
"Please, Anna."
Now she changes the order. Does that mean something else?
"NO! STOP!" I scream. I don't understand.
These people are traitors.
These people aren't people... the thought comes to my mind.
And then I realize the truth. They're... monsters.
"YOU MONSTER!"
"Honey, please!" Her voice is rising.
"YOU FILTHY MONSTER, TRAITOR! I TRUSTED YOU. YOU ARE NOT A HUMAN!"
"Honey!"
A man steps beside her, and he whispers to her.
Something about killing me, probably. They're probably communicating through telepathy, but they are trying to decieve me into thinking they are human.
"I AM NOT A FOOL!"
The man looks at me with sorrow in his eyes, as he says, "Hon, it's time for you to stop playing fantasy. Come to reality."
And as he spits that name, Reality, I shudder. Loathe, hate, despise.
"NO!" I scream. "NO!"


---


Monday, June 27. Ten days before the Incident

I am a girl. I am ten and a half years old. My parents are dead. They died in a car accident. They loved me. I need someone to love me.
It was the sentences I had repeated to those two strangers who were sitting across from me, at the table.
"Hi, Annabeth. I'm Lily. This is Tom. We are going to adopt you."
I think of dogs. Dogs on TV. TV is the box that shows things that are outside of the room. Sometimes, they are not real. Sometimes, they want to make you think a certain way. Sometimes, they are real, and you learn information from it.
Information is something that is true, and it is very useful.
Each sentence rolls through my head, remembering it being repeated to me, by that nice lady in the white coat, who always let me play with blocks, arrange letters, or draw pictures, with the little colorful sticks called crayons.
Crayons are what you draw with, she had said.
Crayons have different colors.
Colors are one of the attributes to what you see.
This is red.
This is blue.
I remember every word she said.
And I repeat it to myself.
I miss that nice lady. Mindy, she said.
I miss Mindy.
Mindy is her name.
A name is an attribute to a person. It makes the person unique, so that you can identify them easily.
I repeat that to myself.
My name is Annabeth Truce.
Mindy did not tell me what Truce means.
Annabeth is the combination of Anna and Beth, which is short for Elisabeth. Anna means grace or mercy. Elisabeth means 'God is my Oath'. They are both Hebrew names.
I like my name. It is triangular, and it makes me feel very happy. It reminds me of candy, peppermint candy.
Candy is something you eat that is sweet. But it is not good for you if you eat it too much.
Vegetables are good for you. She hands me the bowl, that has something called salad.
And they are tasty.
No, they are not. Candy tastes better. I spelled out each word through my tongue, saying it slowly.
She looked at me.
I am proud of you, she said slowly. You have learned many words.
What is proud? I ask.
She does not answer. Instead, she hugs me, and says it again. I am proud.
I don't know what proud is, but I like proud.

Now, Mindy is gone, like my parents.

The man looks at me with sorrow in his eyes, as he says, "Hon, it's time for you to stop playing fantasy. Come to reality."
And as he spits that name, Reality, I shudder. Loathe, hate, despise.
"NO!" I scream. "NO!"
Suddenly, I see the woman has tears in her eyes. They glisten like the plastic crystals that Mindy let me play with.
Let's play treasure chest, she always said when I played with them.
But these crystals, they shimmer, then fall.
The woman hugs me, and she holds me tight. I loosen a little.
"Nononononononononononono..." I whisper, my voice hoarse from screaming.
"I'm proud of you." She hugs me tighter.
Suddenly, I cry. Tears streak down my face, leaving little trails of sorrow and grief.
"I love you, Mindy. I love you, Mindy. I love you, Mindy."
I know Mindy is gone. I know I will never see Mindy. I know she is not Mindy.
The woman strokes my hair.
"I love you, Annabeth." She strokes my hair.