Oxygen
The dim glow of
the lamp illuminates Ennie’s face. A face with furrowed brows, tongue between
the teeth, concentrating eyes on one thing—her paper. Her hand is red from
gripping the pencil so tight, frozen in midair, midsentence, now distracted by
a faint but distinct noise outside of her room. Her ears are invisibly perked
up to the noise, ready to pick out noises from beyond the dull and consistent whirring
of the air conditioning.
All the
same, when Ed comes in, she is startled, and drops her pencil on the desk.
“What
are you doing, En? It’s two in the morning!” Ed rubs his eyes and walks over.
“No,
stop—” Ennie covers her drawing feebly, secretly hoping he would look.
“What
are you doing?”
“I—”
On the
desk, is a wide piece of paper—no, another world. Monochrome does not change
the life of the picture; every stroke and line gives a breeze in the trees, the
rustling of a girl’s hair, her little skirt billowing in the wind, her fingers
delicately wrapped around flowers—daisies, perhaps. The lines connect and twist
and interlock and the desk now harbors not a drawing, but a new world.
Ed is
mesmerized for a minute by the simple, pure beauty of the midnight sketch,
coming more and more alive with each delicate stroke of Ennie’s pencil.
“But—”
shaking his head, he remembers the situation. “You’re not supposed to be
drawing!”
He
thinks about his own detainment. His heart sinks into a pool of despair; the
memory itself is excruciating.
“But—last
time when I couldn’t carve, I didn’t! I had to go all those days without
carving! That’s not fair, En! Nor is it reasonable. It’s a punishment, En. You
can’t take it lightly.”
Ennie
shakes her head and puts down her pencil gingerly on the wooden surface of the
desk, letting it roll a little on top of the girl holding her flowers. She
looks up at Ed’s face, twisted in anger, bewildered, confused, and worried. When
will he ever know?
“No, Ed.”
She turns her chair so that her back is to the desk. She takes his hand and
places it in hers, and looks up at him desperately. Will you ever understand?
“There
is never a punishment. There is always a lesson. Not drawing is ridiculous. I have to draw.”
“I felt
that too, when I was punished, but—”
“It’s a lesson, Ed. You’re letting them get to
you. Who are they to tell you when you should or shouldn’t draw? Or carve? If
you have the true passion, Ed, if you do, you see through their words and
achieve the lesson, Ed. You draw anyway. Because it is your burning passion,
your every intake of oxygen and exhale of carbon dioxide. It is your very
meaning. So when they tell you not to, they can’t really stop you. They are
just telling you. You do the doing.
And I am doing. I am drawing. It doesn’t matter what they say.” Please.
He
pushes her hand away and looks at her in despair.
“But—but,
you can’t just draw in liberty!”
“I can, but I don’t have so much passion as
to draw right under their noses. That is absolute burning, annihilating
passion. I do not have that level of passion, not yet. Right now, I know only
to draw. Not just draw, but realize and know how important drawing is, it lets
me truly think and appreciate it and put that into my work.”
“If they
find out, your punishment will get longer and longer!”
“You don’t
have passion, Ed. You only have talent.”
“En, I
don’t know what you’re talking about! I’m going to tell them. For the best of
your future.”
“No, Ed,
when will you ever know?”
“Good-bye,
En.”
He turns
around and leaves.